Wood-carving and sculpture are wanting, except in the shape of drums, which are placed in a horizontal position, and often reach considerable dimensions.
Not far from Albert’s lived a man of the highest caste, my friend Agelan. He was planning to kill one hundred tusked pigs in the near future, which would raise him to the highest caste far and wide, but would also impoverish him for the rest of his life. He lived quietly and comfortably, like a country squire, surrounded by his relatives and descendants. He seemed fond of good living, and his wife was an excellent housekeeper. In the midst of a somewhat colourless Christian population, wearing trousers and slovenly dresses, using enamel pots and petrol-lamps, Agelan and his household were a genuine relic of the good old times, and no one could have pretended that his home was less pleasant than those around him. These things are largely a matter of taste; and those who prefer grotesque attire to beautiful nakedness will be happy to know that their wishes will soon be fulfilled. I liked the old heathen, and spent a good deal of time with him. A sketch of his home life may not come amiss, just because these primitive ways are dying out so fast.
As I near the house, some dogs rush out at me, and a woman’s voice calls them back; Agelan roars a welcome—he always shouts, and likes to put on masterful airs; for in years gone by he was a very unpleasant customer, until the man-of-war—but that is all ancient history, and now his bark is much worse than his bite. I have the honour of being in his good books, thanks to certain medical services I was able to render him; he has an ugly cough, for which we have tried in turn: iodine, Peruvian balsam, eucalyptus oil, quinine, and other medicines; nothing helps, but he seems to enjoy swallowing the drugs.
The floor of the house is hard clay; there are two fireplaces at one end, and at the other some large drums serve as seats. Everywhere in the roofing hang bows, arrows, bones, plummets, ropes, and clubs. Agelan has been toasting himself at a little fire of his own; now he rises, coughing, and shakes hands. He is a very tall, strongly-made man of about sixty, with a high forehead, long, hooked nose, wide mouth, thin lips and white beard. His dress is the old-fashioned loin-mat, and around his wrists he wears heavy strands of shell money. His wife, too, is very tall and strong, with quiet, dignified movements; she may be forty years old. Everything about her is calm and determined; while not handsome, she has such a kind expression as to look very pleasant. She wears a small loin-cloth, and her light coffee-coloured skin is scrupulously clean. Around her neck and over her left shoulder she wears a string of shells, and around her ankles, small red beads. Near her squats her little daughter, a pretty child of six; an adopted daughter plays near the fire with a small, thick-bellied orphan boy, who is always crying. The girls, too, wear little ornaments; and their dainty movements, curly heads, round faces and great dark eyes are very attractive.
The midday meal is steaming under a heap of leaves and dust, and a man is busily scraping cocoa-nuts for the delicious cocoa-nut milk. Agelan sends one of the girls for an unripe nut, which is opened in three deft cuts, and I am offered the refreshing drink as a welcome. Now Agelan, who has been brooding for days over these matters, questions me as to my origin and plans, and he roars himself nearly hoarse, for we cannot understand each other. The other man, a fugitive from the east coast, is asked to interpret, but he is sulky and awkward; not that he is a bad sort, but he is sick, and spends most of his time asleep in a shed he has built for himself in a corner of the house, and only appears at meals.
The youngest son comes in, the last left to Agelan, for the older ones have all joined the mission,—it is the fashion. This boy is a quiet, cheerful lad of twelve, already a high caste, for his father has killed many pigs for him. He has shot a miserable pigeon, and his mother and the girls laugh at the poor booty, much to his chagrin.
Agelan now takes me to “view” a particularly fine tusked pig, tied under a roof, on a clean couch of straw; the boy shows it bits of cocoa-nut to make it open its mouth, so that I can see and admire its tusks. Agelan would like nothing better than to show off all his pigs, and if I were a native I would pass them in review as we Europeans visit picture-galleries; but I refuse as politely as I can. We return to the cook-house, where the cocoa-nut rasping is finished; the man washes his hands in the water of a nut, splitting it open and squeezing the water in a little spray on to his hands. Mrs. Agelan knows a simpler way; she fills her mouth with water and squirts it on her hands. The cocoa-nut gratings are kneaded with a little water, while the girls sweep the earth off the cooking-place and uncover the stones; an appetizing smell spreads, and the master of the house watches the preparations with a sharp eye and a silent tongue. One feels that the least carelessness will provoke an outburst, and, indeed, a solemn silence has fallen on the company, only the wife smiles quietly.
“Lap-lap banana good!” Agelan roars in my ear, and I nod assent. Now the hot stones are removed with bamboo tongs, and the great flat object, wrapped in banana leaves, is taken out. Mrs. Agelan throws back the leaves and uncovers the beautifully cooked golden lap-lap. Her lord looks at it critically, and returns to his corner silent, but evidently satisfied. His wife cannot quite hide a smile of pride.
The stranger now squeezes the cocoa-nut gratings over a wooden bowl, and a creamy juice runs through his fingers. The bowl is brought to Agelan, who looks at it as if reading an oracle; then he selects a hot stone from his own fire, and sends the bowl back to be embedded in the gratings. He approaches with his stone in a wooden fork, and squats down near the bowl lost in thought, as if anxious not to miss the right moment; then he drops the stone into the milk, which hisses, bubbles and steams. A fine smell of burnt fat is noticeable; and while the liquid thickens, Agelan behaves as if he could perform miracles and was in league with supernatural powers. After a while his wife hands him the bowl, and he holds it over the pudding, undecided how and where to pour the milk; one would think the fate and welfare of creation depended on his action. Being a man of energy, he makes up his mind, and pours one stream right across the pudding, then empties his bowl and retires with a sigh to his seat. About ten more bowlfuls are needed, but these are poured by Mrs. Agelan without further ceremony. The solemn hush is over. With a long bush-knife, Mama cuts the pudding into strips and squares and distributes it, and the meal proceeds amid general satisfaction. I am given a large slab; fortunately it tastes very good and is easily digestible, for politeness ordains that one must eat enormous quantities. At one stage of the proceedings the girls are sent to take some food to the neighbours as a present. When everyone has finished, Agelan lies down for a siesta, while his wife lights a pipe and squats in silent happiness near the fire. The girls play with the dirty little boy, and the son plucks his tiny pigeon and a flying-fox; singeing the creature’s fur off occasions such an evil smell that I prefer to take my leave. Mrs. Agelan smiles her farewell, the girls giggle, and when I have gone some distance I hear Agelan, awakened from his siesta, roar a sleepy good-bye after me.