Thirteen days later, on the morning of June 6th, the poet's dead body was found near the Este palace, which is now known as the Pareschi, wrapped in his mantle, some of his hair torn out by the roots, and wounded in two and twenty places. All Ferrara was in an uproar, for she owed her fame to Strozzi, one of the most imaginative poets of his time, the pet of everybody, the friend of Bembo and Ariosto, the favorite of the duchess and of the entire court. On his father's death he had succeeded to his position as chief of the twelve judges of Ferrara. He was still in the flower of his youth, being only twenty-seven years old.

This terrible event must have reminded Lucretia of the day when her brother Gandia was slain. The mystery attending these crimes has never been dispelled. "No one named the author of the murder, for the pretor was silent," says Paul Jovius in his eulogy of the poet. But who, except those who had the power to do so could have compelled the court to remain silent?

Some have ascribed the deed to Alfonso, stating that he destroyed Strozzi on account of his passion for the latter's wife; others claim that he simply revenged himself for the favor which Lucretia had shown the poet. Recent writers who have endeavored to fathom the mystery and who have availed themselves of authentic records of the time regard Alfonso as the guilty one.[216] One of the strongest proofs of his guilt is found in the fact that the duke, who not only had punished the conspirators against his own life so cruelly, and who had always shown himself an unyielding supporter of the law, allowed the matter to drop.

Lucretia has even been charged with the murder on the ground of her jealousy of Barbara Torelli, or owing to her fear that Strozzi might disclose her relations with Bembo, especially as he had hoped to obtain the cardinal's hat through the influence of the duchess, in which he was disappointed. None of the later historians has given any credence to this theory. Ariosto did not believe it, for if he did how could he have made Ercole Strozzi the herald of her fame in the temple of honor in which he placed the women of the house of Este? Even if he wrote this stanza before the poet's death—which is not probable—he would certainly have changed it before the publication of the poem, which was in 1516.

Nor did Aldo Manuzio believe in Lucretia's guilt, for in 1513 he dedicated to her an edition of the poems of the two Strozzi, father and son, accompanied by an introduction in which he praises her to the skies.

In the meantime Julius II had formed the League of Cambray, which was to crush Venice, and which Ferrara had also joined. The war kept Alfonso away from his domain much of the time, and consequently he made Lucretia regent during his absence. In former days she had occasionally acted as regent in the Vatican and in Spoleto—but in a different way. In 1509 she saw the war clouds gathering about Ferrara, for it was in that year that her husband and the cardinal attacked the Venetian fleet on the Po. August 25th of this same year Lucretia bore a second son, Ippolito.

The war which convulsed the entire peninsula immediately drew Ferrara into the great movement which did not subside until Charles V imposed a new order of things on the affairs of Italy. Lucretia's subsequent life, therefore, was largely influenced by politics. Her first peaceful years in Ferrara, like her youth, were past. She now devoted herself to the education of her children, the princes of Este, and to affairs of state whenever her husband entrusted them to her. She was a capable woman; her father was not mistaken in his opinion of her intellect. She made herself felt as regent in Ferrara. She was regent for the first time in May, 1506, and she acquitted herself most creditably. The Jews in Ferrara were being oppressed, and Lucretia had a law passed to protect them, and all who transgressed it were severely punished. In the dedication of the poems of the Strozzi addressed to her by Aldo, he lauds, among her other good qualities, not only her fear of God, her benevolence to the poor, and her kindness toward her relatives, but also her ability as a ruler, saying that she made an excellent regent, whose sound opinions and perspicacity were greatly admired by the burghers. Even if we make allowances for the flattery, there is still much truth in what he says.

ALDO MANUZIO.
From an engraving by Angustin de St. Aubin.