August 18, 1505, she wrote him from Reggio that she had taken steps in Rome to induce the Pope to permit Cardinal Petro Isualles to go to the Spanish court to endeavor to secure Cæsar's freedom, and she hoped to succeed. She, therefore, asked the marquis himself to request the Pope to allow the cardinal to undertake this mission. She wrote to him again from Belriguardo thanking him for his promise to despatch an agent to Spain, and she sent him a letter for King Ferdinand and another for her brother. It is not known whether the cardinal actually undertook this journey to Madrid, but it is hardly likely that Julius would have allowed him to do so.
CHAPTER VII
COURT POETS—GIULIA BELLA AND JULIUS II—THE ESTE DYNASTY ENDANGERED
During the year, when Lucretia, filled with a sister's love, was grieving over the fate of her terrible brother, a great change occurred in her own circumstances, she having become Duchess of Ferrara, January 25, 1505. Her husband, Alfonso, in compliance with his father's wishes, had undertaken a journey to France, Flanders, and England for the purpose of becoming acquainted with the courts of those countries. He was to return to Italy by way of Spain, but while he was at the court of Henry VII of England he received despatches informing him that his father was sick. He hastened back to Ferrara, and Ercole died shortly after his return.
Alfonso ascended the ducal throne at a time when a strong hand and high intelligence were required to save his State from the dangers which threatened it. The Republic of Venice had already secured possession of a part of Romagna, and was planning to cut Ferrara off from the mouth of the Po; at the same time Julius II was scheming to take Bologna, and if he succeeded in this he would doubtless also attack Ferrara. In view of these circumstances it was a fortunate thing for the State that its chief was a practical, cool-headed man like Alfonso. He was neither extravagant nor fond of display, and he cared nothing for a brilliant court. He was indifferent to externals, even to his own clothing. His chief concern was to increase the efficiency of the army, build fortresses, and cast cannon. When the affairs of state left him any leisure he amused himself at a turning-lathe which he had set up, and also in painting majolica vases, in which art he was exceedingly skilful. He had no inclination for the higher culture—this he left to his wife.
The small collection of books which Lucretia brought with her from Rome shows that she possessed some education and an inclination to take part in the intellectual movement of Ferrara. We have a catalogue of these books, of the years 1502 and 1503, which shows what were Lucretia's tastes. According to this list she possessed a number of books, many of which were beautifully bound in purple velvet, with gold and silver mountings: a breviary; a book with the seven psalms and other prayers; a parchment with miniatures in gold, called De Coppelle ala Spagnola; the printed letters of Saint Catharine of Siena; the Epistles and Gospels in the vulgar tongue; a religious work in Castilian; a manuscript collection of Spanish canzone with the proverbs of Domenico Lopez; a printed work entitled Aquilla Volante; another, called Supplement of Chronicles, in the vulgar tongue; the Mirror of Faith, in Italian; a printed copy of Dante, with a commentary; a work in Italian, on philosophy; the Legend of the Saints in the vulgar tongue; an old work, De Ventura; a Donatus; a Life of Christ in Spanish; a manuscript of Petrarch on parchment, in duodecimo. From this catalogue it is evident that Lucretia's studies were not very profound. Her books were confined to religious works and belles-lettres.[198]
