He came towards me with a cheerful, quiet smile, the Journal des Débats in his hand, pleased apparently with what he had been reading in it.

"I have read in your garden and in your room, signore, the Contrat Social of Rousseau, and some of the Republic of Plato. You show me that you are the countryman of the great Pasquale."

We talked long on a great variety of subjects—on civilisation and on barbarism, and how impotent theory was proving itself. But these are old affairs, that every reflecting man has thought of and talked about.

Much musing on this interview, I went down to the grotto after taking leave of the singular man, who had realized for me so unexpectedly the creation of the poet. After all, this is a strange island. Yesterday a bandit who has murdered ten men out of capriccio, and is being led to the scaffold; to-day a practical philosopher, and philanthropic advocate of universal brotherhood—both equally genuine Corsicans, their history and character the result of the history of their nation. As I passed under the fair trees of the garden, however, I said to myself that it was not difficult to be a philanthropist in paradise. I believe that the wonderful power of early Christianity arose from the circumstance that its teachers were poor, probably unfortunate men.

There is a Corsican tradition that St. Paul landed on Cape Corso—the Promontorium Sacrum, as it was called in ancient times—and there preached the gospel. It is certain that Cape Corso was the district of the island into which Christianity was first introduced. The little region, therefore, has long been sacred to the cause of philanthropy and human progress.

The daughter of one of the gardeners led me to the grotto. It is neither very high nor very deep, and consists of a series of chambers, easily traversed. Lamps hung from the roof. The girl lighted them, and left me alone. And now a pale twilight illuminated this beautiful crypt, of such bizarre stalactite formations as only a Gothic architect could imagine—in pointed arches, pillar-capitals, domed niches, and rosettes. The grottos of Corsica are her oldest Gothic churches, for Nature built them in a mood of the most playful fantasy. As the lamps glimmered, and shone on, and shone through, the clear yellow stalactite, the cave was completely like the crypt of some cathedral. Left in this twilight, I had the following little fantasy in stalactite—

A wondrous maiden sat wrapped in a white veil on a throne of the clearest alabaster. She never moved. She wore on her head a lotos-flower, and on her breast a carbuncle. The eye could not cease to gaze on the veiled maiden, for she stirred a longing in the bosom. Before her kneeled many little gnomes; the poor fellows were all of dropstone, all stalactites, and they wore little yellow crowns of the fairest alabaster. They never moved; but they all held their hands stretched out towards the white maiden, as if they wished to lift her veil, and bitter drops were falling from their eyes. It seemed to me as if I knew some of them, and as if I must call them by their names. "This is the goddess Isis," said the toad sneeringly; she was sitting on a stone, and, I think, threw a spell on them all with her eyes. "He who does not know the right word, and cannot raise the veil of the beautiful maiden, must weep himself to stone like these. Stranger, wilt thou say the word?"

I was just falling asleep—for I was very tired, and the grotto was so dim and cool, and the drops tinkled so slowly and mournfully from the roof—when the gardener's daughter entered, and said: "It is time!" "Time! to raise the veil of Isis?—O ye eternal gods!" "Yes, Signore, to come out to the garden and the bright sun." I thought she said well, and I immediately followed her.

"Do you see this firelock, Signore? We found it in the grotto, quite coated with the dropstone, and beside it were human bones; likely they were the bones and gun of a bandit; the poor wretch had crept into this cave, and died in it like a wounded deer." Nothing was now left of the piece but the rusty barrel. It may have sped the avenging bullet into more than one heart. Now I hold it in my hand like some fossil of horrid history, and it opens its mouth and tells me stories of the Vendetta.