“My good uncle tried his best to put me through some regular educational training. It was intended that he should prepare me as far as he could for school, as the famous Kreuzschule was talked of for me. Yet, I must confess I did not profit much by his instruction. I preferred rambling about the little country town and its environs to learning the rules of grammar. That I profited little was, I fear, my own fault. Legends and fables then had an immense fascination over me, and I often beguiled my uncle into reading me a story that I might avoid working. But what always drew me towards him was his strong affection for my own loved step-father. Whenever he spoke of him, and he did so very often, he always referred to his loving good-nature, his amiability, and his gifts as an artist, and then would murmur with a tearful sigh ‘that he had to die so young!’

“It was arranged that I should enter the Dresden school in December, 1822, just at a time when my sisters were busy with the exciting preparations for the family Christmas-tree. How good it was of my mother then to let us have a tree, poor as we were! I was not pleased to go to school just three days before Christmas Day, and probably would have revolted had not my mother talked me over and made me see the advantages of entering so celebrated an academy as the Kreuzschule, pacifying my disappointment by allowing me to rise at early dawn to do my part to the tree. Now I cannot see a lighted Christmas-tree without thinking of the kind woman, nor prevent the tears starting to my eyes, when I think of the unceasing activity of that little creature for the comfort and welfare of her children.”

MENTAL ACTIVITY.—STATURE.

Wagner was deeply moved when, on Christmas Day, he found amongst the usual gifts, such as “Pfefferkuchen” (ginger-bread) and “Stolle” (butter cake), a new suit of clothes for himself, a present from his thoughtful mother for him to go to school with. Throughout his life Wagner was always remarkably prim and neatly dressed, caring much for his personal appearance. The low state of the widow’s exchequer was well known to Richard, and he could appreciate the effort made for him. He was no sooner at school than he attracted to himself a few of the cleverest boys by his early developed gift of ready speech and sarcasm. “Die Dummer haben mich immer gehasst” (the stupid have ever hated me) was a favourite saying of his in after-life. The study of the dead languages, his principal subject, was a delight to him. He had a facility for languages. It was one of his gifts. History and geography also attracted him. He was an omnivorous reader, and his precise knowledge on any subject was always a matter of surprise to the most intimate. It could never be said what he had read or what he had not read, and here perhaps is the place to note a remarkable feature in Wagner’s disposition, viz. his modesty. Did he require information on any subject, his manner of asking was childlike in its simplicity. He was patient in learning and in mastering the point. But it should be observed that nothing short of the most complete and satisfactory explanation would satisfy him. And then would the thinking-power of the man declare itself. The information he had newly acquired would be thoroughly assimilated and then given forth under a new light with a force truly remarkable.

In stature Wagner was below the middle size, and like most undersized men always held himself strictly erect. He had an unusually wiry, muscular frame, small feet, an aristocratic feature which did not extend to his hands. It was his head, however, that could not fail to strike even the least inquiring that there he had to do with no ordinary mortal. The development of the frontal part, which a phrenologist would class at a glance amongst those belonging only to the master-minds, impressed every one. His eyes had a piercing power, but were kindly withal, and were ready to smile at a witty remark. Richard Wagner lacked eyebrows, but nature, as if to make up for this deficiency, bestowed on him a most abundant crop of bushy hair, which he carefully kept brushed back, thereby exposing the whole of his really Jupiter-like brow. His mouth was very small. He had thin lips and small teeth, signs of a determined character. The nose was large and in after-life somewhat disfigured by the early-acquired habit of snuff-taking. The back of his head was fully developed. These were according to phrenological principles power and energy. Its shape was very similar to that of Luther, with whom, indeed, he had more than one point of character in common.

In answer to my inquiries about his school period at Dresden, he told me that he was remarkably small, a circumstance not unattended with good fortune, since it served to increase the favour of his school professors, who looked upon his unusual mental energy in comparison with his pigmy frame as nothing short of wonderful.

As a boy he was passionate and strong-headed. His violent temper and obstinate determination were not to be thwarted in anything he had set his mind to. Among boys such wilfulness of character was the cause of frequent dissensions. He rarely, however, came to blows, for he had a shrewd wit and was winningly entreating in speech, and with much adroitness would bend them to his whims.

HIS YOUTHFUL ESCAPADES.

Erysipelas sorely tried the boy during his school life. Every change in the weather was a trouble to him. As regards the loss of his eyebrows, an affliction which ever caused him some regret, Wagner attributed it to a violent attack of St. Anthony’s fire, as this painful malady is also called. An attack would be preceded by depression of spirits and irritability of temper. Conscious of his growing peevishness, he sought refuge in solitude. As soon as the attack was subdued, his bright animal spirits returned and none would recognize in the daring little fellow the previous taciturn misanthrope.

Practical joking was a favourite sport with him, but only indulged in when harm could befall no one, and incident offered some funny situation. To hurt one willingly was, I think, impossible in Wagner. He was ever kind and would never have attempted anything that might result in real pain.