As for the Peruvian and the skipper, they were both on their feet, eyeing one another like two fighting dogs. Hervey was the first to find his very useful tongue.
“I guess you've got the bulge on me,” said he, trying to outstare the Peruvian, for which nationality, from long voyaging on the South American coast, he entertained the most profound contempt.
But in De Gayangos he found a foeman worthy of his steel.
“I think not,” said Don Pedro quietly, and facing the pseudo-American bravely. “I never forget faces, and yours is a noticeable one. When you first spoke I fancied that I remembered your voice. All that business with the chair was to get close to you, so that I could see the scar on your right temple. It is still there, I notice. Also, I dropped my cigarette case and forced you to pick it up, so that, when you stretched your arm, I might see what mark was on your left wrist. It is a serpent encircling the sun, which Lola Farjados induced you to have tattooed when you were in Lima thirty years ago. Your eyes are blue and full of light, and as you were twenty when I knew you, the lapse of years has made you fifty—your present age.”
“Shucks!” said Hervey coolly, and sat down to smoke.
Don Pedro turned to Archie and Braddock.
“Mr. Hope! Professor!” he remarked, “if you remember the description I gave of Gustav Vasa, I appeal to you to see if it does not exactly fit this man?”
“It does,” said Archie unhesitatingly, “although I cannot see the tattooed left wrist to which you refer.”
Hervey, still smoking, made no offer to show the symbol, but Braddock unexpectedly came to the assistance of Don Pedro.
“The man is Vasa right enough,” he remarked abruptly. “Whether he is Swedish or American I cannot say. But he is the same man I met when I was in Lima thirty years ago, after the war.”