This proposition recommending itself to Mrs. Presk, she left the police-office with inspector and detective, and led the pair to her house, which was situated down a side street no great distance away. As the front door was closed, she conducted the men round the back way, through the kitchen, and up the stairs into Miss Ligram's sitting-room. On the mat in the passage, 'Tilda, the servant, lay still insensible, so Mrs. Presk lifted her in her strong arms and carried her to the kitchen to be revived as speedily as possible, in case, as was almost certain, her evidence might be wanted. In the mean time Lackland and Gebb had entered the room wherein the crime had been committed, and were amazed at the splendour of the apartment. For colouring and evidence of wealth it was like a scene out of the Arabian Nights.
The room was of no great size, with a window looking out on to the street, and two doors, one leading in from a narrow passage, the other giving admittance into an inner apartment, evidently a bedroom. The walls were draped with rich hangings of satin, yellow as a buttercup in hue, and a tent-like roof of the same tint and material was drawn in many folds to a dome-like centre, whence depended by a brass chain an Arabian lantern studded with knobs of yellow glass, which, illuminated from within, shone like pale topaz stones. Tables, chairs, and couches were framed of gilded cane, with coverlets and quilts of yellow silk, and the ground of the carpet was of the same colour, embroidered with bunches of primrose flowers. Also there were tall narrow mirrors framed in yellow satin, clusters of daffodils in grotesque Chinese vases of a deep yellow shade, and numerous candles--all lighted--in candelabra silver gilt. Near the window, from a brass chafing-dish standing on a tripod of the same metal, curled up a thin white vapour diffusing a heavy rich perfume, and everywhere lay nicknacks of gold and silver more or less costly; fur mats and rugs dyed yellow, and many books covered in a homely fashion with yellow paper. The prevailing colour of the room was a violent yellow; and this, with the glare of the candles, the glitter of the mirrors, the scent of the flowers, and the strong perfume of the incense, made the heads of the onlookers reel. Even the matter-of-fact inspector was impressed by the uncanny magnificence of the place.
"By George, sir!" said he to Gebb, with the instincts of an old soldier, "it's like a Mandalay Pagoda. If t'was in Burmah, now, shouldn't mind looting it."
Gebb was rubbing his hands, with sparkling eyes.
"By the sight of it," he said joyfully, "this is going to be a romantic case. I only hope I'll be lucky enough to get charge of it. Did you furnish this room, ma'am?" he asked, turning sharply to Mrs. Presk, whose pale grey face appeared over the shoulder of the burly, staring inspector.
"No, I didn't," retorted the landlady. "Miss Ligram furnished it herself, and called it her Yellow Boudoir."
[CHAPTER II]
THE DEATH-CARD
If the appearance of the room was amazing, that of the dead woman was not less so. The body was lying loosely in an armchair, with sprawling legs and arms, like a saw-dust doll. The head lay limply on the shoulder, and a yellow cord--evidently torn from a near curtain--was bound tightly round the lean throat The distorted face, the protruding tongue, the bulging eyes, and discoloured skin, all showed that the poor creature had been strangled in the most remorseless manner. Before her was placed a low cane table, on the yellow coverlet of which a pack of cards was spread out face downward, but in the lap of the dead woman lay another card with the face upward. It was the ace of spades. Mrs. Presk noting it for the first time gave a screech of mingled horror and surprise.
"The death-card!" she gasped, stepping back. "Lord! how awful!"