The Man with a Secret: A Novel

by Fergus Hume

Garsworth was one of those queer, old-fashioned villages which, owing to their isolated positions, yet retain the primitive simplicity of earlier ages. The nearest railway station, Duxby Junction, to which steam and electricity continually carried the news of the world, was fully twenty miles distant, so that in this out of-the-way village the rustics heard but little of the doings of the nations, being content to remain in a state of Arcadian ignorance as their forefathers had done before them.

There was not even a stage-coach to Duxby, and the only means of communication was by the carriers' carts, which went weekly along the dusty high road, drawn lazily by their sleek horses. The nearest market town was Shunton, almost as quiet and primitive as Garsworth, and the sturdy farmers going there on market days sold their cattle and wheat, picked up such small items of news as had drifted thither from Duxby, then returned to their homes perfectly satisfied with life and with themselves. Well-to-do folks were these yeomen, for many rich farms lay hidden in the wide fen lands--farms which had descended from father to son through many generations, and as neither agrarian agitation nor vexed questions of rents had penetrated to this remote spot, they tilled their lands, looked up to their landlords, and pursued their monotonous lives in peace.

The village, built on a primitive plan, consisted of one long, wide street, with a similar one running crosswise to it, so that the little town was divided into four almost equal sections. Where the four roads met appeared a large open space doing duty as the village green, in the centre of which stood an antique stone cross with elaborate carvings thereon, much worn by time, said to have been erected by one Geoffrey Garsworth on his return from the third crusade. As a proof of this, there could be seen amid the carvings, representations of palm branches and scallop shells, both symbolical of eastern vegetation and pilgrim wanderings; but Dr. Larcher, the vicar of Garsworth--an ardent archaeologist--maintained that the cross had been placed there by the Cistercian monks, who once occupied a monastery near the village. The worthy vicar, being of a somewhat polemical nature, was wont to wax warm on the subject, and held strong opinions as to the cross and the church, which opinions he was willing enough to impart to any curious stranger who might chance to have antiquarian leanings.

And a beautiful old church it was, of irregular architecture, with heavy stone pillars supporting both round and pointed arches of the Norman Romanesque style, remarkably fine stained glass windows, and a high, elaborately carved roof of dark oak. Standing at the end of the village, near the bridge, the graveyard in which it was placed sloped down to the river's edge, and at times the mighty shadow of the square tower fell across the stream.

A little further down was the vicarage, built of grey stone in the quaint Tudor fashion, enclosing a green square on three sides, while the fourth was open to the Gar. From its grounds could be seen the graceful span of the bridge, a somewhat modern structure, which led on to a wide common overgrown with golden gorse, and far away in the distance amid a thick forest of beech and elm and oak, arose the towers of Garsworth Grange, wherein lived the Lord of the Manor.

The village possessed only one inn, quaintly entitled "The House of Good Living," an ancient building as fantastic as its name. Standing somewhat back from the street it was built of grey stone, with heavy beams set into the walls in the old-fashioned style, and the upper storey projected over the lower one in a cumbersome manner, apparently threatening every moment to overbalance itself. There were wide, diamond-paned casements, with rows of flower-pots containing bright, scarlet geraniums standing on the broad ledges, and on the left a tall gable jutted out some distance from the main building, while in the corner, thus formed, was the huge porch, with its cumbersome benches for the convenience of village cronies. The space in front was of cobbled stones down to the street, and there stood the tall pole with the swinging sign, whereon was bravely painted a baron of beef and a tankard of beer as an earnest of the good cheer within. The roof was of thatch, grey and weatherworn, neatly trimmed round the windows and eaves, while above towered the great stacks of twisted, red-tinged chimneys. Altogether, a typical English inn of the stage coach period, severely respectable and intensely conservative.

It was quite dark when Dr. Nestley reached this haven of rest, but the generous light within gushed from the windows in ruddy streams with a most inviting air of comfort. The door stood wide open, letting out a flood of mellow light into the chilly darkness, and the new comer could hear the murmur of men's voices, with every now and then a coarse laugh, while the smell of stale tobacco permeated the atmosphere. Evidently the village gossips were holding high festival, and as Nestley passed into the porch he saw dimly through the smoke-clouded air a number of them seated in the taproom, puffing steadily at their pipes and draining their tankards with great contentment.

Job Kossiter, the landlord of this house of entertainment, soon made his appearance in answer to Nestley's imperative summons, and stood waiting orders in stolid silence. A large, fat man was Mr. Kossiter, with a large, fat face ruddy with health, a brain of bovine slowness, and a habit of repeating all questions asked in a meditative manner, in order to give himself time to consider his answer.

"I want a bed for to-night, landlord," said Nestley, leaning against the wall and surveying the rotund proportions of mine host, "and at present, something to eat."

Mr. Kossiter fixed his ox-like eyes on the stranger and repeated the words slowly like a child learning its lesson.