CHAPTER XIX
PLOTS AND COUNTERPLOTS
On hearing from Tolomeo that Beryl was the guilty person, Durham was not so surprised as he might have been. He had always suspected that Julius was in some way connected with the crime, although he had not thought him personally guilty. But the story of Guiseppe, and the production of the handkerchief marked with Beryl's name seemed to put the matter beyond doubt. Durham remembered how Conniston had always said that when the lost handkerchief was found the assassin would be identified. Apparently his prophecy had come true. Here was the handkerchief, so fortunately picked up by Tolomeo, and it belonged to Julius. Also Julius, according to the Italian, had entered the house in Crimea Square about the time the murder was supposed to have been committed.
"And there's no doubt that Beryl sent Jerry for Bernard, so that he might be brought to the spot for accusation," thought the lawyer when Tolomeo had gone. "The whole thing was a plant. I expect he arranged to go to the Curtain Theatre so as to have an alibi. But the theatre is near Crimea Square and it would be easy for Beryl to slip round between the acts. Humph! Evidently he did kill the old man—this handkerchief is proof enough, to say nothing of Tolomeo's evidence. What's to be done next?"
The question was answered next day while Durham was still puzzling over the matter. Julius himself made his appearance, as meek-looking and mild as ever. The lawyer received him coldly and was on his guard. It was difficult to know why Beryl should pay a visit to an avowed enemy. But Julius soon explained the reason for his call.
"I have something extremely private to say to you, Mr. Durham," he remarked in a confidential way, and after assuring himself ostentatiously that the door was closed.
"I am not your legal adviser," said Durham, quickly.
"You are Bernard's."