It would take a long time to recount the vagaries for which this coterie had been responsible. If one more daring spirit than the rest invented a new thing or reinstated on old one, his fellows followed like a flock of intelligent sheep and wore the subject threadbare, till some more startling theory initiated a new movement. The opinion of the club took its color from the prevailing "fad" of the hour, and indeed many of the aforesaid "fads" were invented in its smoke room. It should have been called "The Ephemeral Club," from the rapidity with which its fanciers rose to popularity and vanished into obscurity.
After all, such incessant novelty is rather fatiguing. London is the most exhausting city in the world in which to live. From all quarters of the globe news is pouring in, every street is crowded with life and movement; the latest ideas of civilization here ripen to completion. It is impossible to escape from the contagion of novelty; it is in the air. Information salutes one at every turn; it pours from the mouths of men; it thrusts itself before the eye in countless daily and weekly newspapers; it clicks from every telegraph wire, until the brain is wearied with the flood of ephemeral knowledge. All this plethora of intellectual life was concentrated in the narrow confines of the Athenian Club House. No wonder its members complained of news.
"What is the prevailing passion with the Athenian at present?" asked Larcher as he stepped briskly along Piccadilly beside Tait.
"The New Literature!"
"What is that?"
"Upon my word, I can hardly tell you," replied Tait, after some cogitation. "It is a kind of impressionist school, I fancy. Those who profess to lead it insist upon works having no plot, and no action, or no dramatic situations. Their idea of a work is for a man and woman—both vaguely denominated 'he' and 'she'—to talk to one another through a few hundred pages. Good Lord, how they do talk, and all about their own feelings, their own woes, their own troubles, their own infernal egotisms! The motto of 'The New Literature' should be 'Talk! talk! talk!' for it consists of nothing else."
"Why not adopt Hamlet's recitation," suggested Larcher laughingly, "'Words! words! words!'"
"Oh, 'The New Literature' wants nothing from the past! Not even a quotation," said Tait tartly. "Woman—the new woman—is greatly to the fore in this latest fancy. She writes about neurotic members of her own sex, and calls men bad names every other page. The subjects mostly discussed in the modern novel by the modern woman, are the regeneration of the world by woman, the failure of the male to bridle his appetites, and the beginning of the millennium which will come when women get their own way."
"Haven't they got their own way now?"
"I should think so. I don't know what further freedom they want. We live in a world of petticoats nowadays. Women pervade everything like microbes. And they are such worrying creatures," pursued Tait plaintively, "they don't take things calmly like men do, but talk and rage and go into hysterics every other minute. If this sort of thing goes on I shall retire with Dormer to an uninhabited island."