THE clock of the Collège de France sharply struck three. A little door hidden in the gray wall was opened and M. Raindal entered.

He sat behind his large white table, facing his usual audience of eight who waited, pen in hands, ready to take notes.

He took a few manuscript sheets from his portfolio and began simply:

“We concluded, in our last lesson before the new year, the study of the oblatory paintings which have been found in the mastabas of Abu-Roash. From the same point of view we shall begin to-day the study of the mastabas of Dahshour. The paintings contained in this necropolis afford to the historian perhaps more interesting insights than those of Abu-Roash. We find there particulars concerning the private and industrial life of the Egyptians, which may well be considered unique. I, therefore, call your particular attention to this lecture and those that will follow....”

M. Raindal paused and consulted his notes:

“The chief painting in the mastabas of Dahshour is that which was preserved in the tomb of a rich trader of that period, one of those important merchants whose caravans carried on the traffic with Lybia and the Syrian coast. It was first brought to public notice by Brugsch; then it formed the subject of two detailed communications from my young and eminent confrère, M. Maspero; these appeared in the Annales du Musée de Boulack; and the Revue gyptologie. The name of this trader was Rhanofirnotpou....”

M. Raindal rose from his seat and quickly rubbed the blackboard behind him. A little cloud of white chalk, light as smoke, floated about his sleeve.

“Rha-no-fir-not-pou!...” he spelled out, as he wrote the hieroglyphics of the word upon the board.

He had scarcely finished when the padded door was pushed forward and fell back again noisily. Insidious emanations of iris perfume sharply passed through the room. A lady entered, and with a rustle of silk, sat down behind the students. In spite of himself, and as if compelled by the odor, M. Raindal turned round anxiously. Yes, it was she, it was the pretty little Mme. Chambannes!

He was so upset that on coming back to his place he could do nothing but repeat his first sentence concerning the defunct Rhanofirnotpou.