Mrs Webster was giving her first large At Home of the season. She was noted for her gorgeous parties, her gorgeous suppers and gorgeous fortune; but still more celebrated for her picture gallery and her kindness to artists. In her gallery was supposed to be lying two millions sterling worth of Old Masters, but her benevolence to artists did not cost her a farthing, it was a Platonic help she bestowed on them, and her charity had never been known to exceed an introduction to the Duchess of Southdown. She received all sorts and conditions of men and women; all London met at her “crushes,”—Duchesses elbowed cowboys, Royal Highnesses sat close to political Radicals, and Bishops handed an ice to some notorious Mimi-la-Galette of the Paris Music Halls. They all danced to the tune of clinking gold. In fact, Mrs Webster’s house, like so many others, was a stockpot out of which she ladled a social broth of high flavour. There were many stockpots in London, from the strong consommé of exclusive brewing to the thin, tasteless Bovril of homely concoction. That of Mrs Webster’s was a pottage of heterogeneous quality; it had a Continental aroma of garlic, a back-taste of the usual British spice, and it left on one’s lips a lingering savour of parvenu relish. The Upper Ten went to her dinners, though they screamed at her uncanny appearance, jeered at the authenticity of her Raphaels and Da Vincis, and quoted to each other anecdotes about her that had put even Mrs Malaprop in the shade. But these are the unsolvable problems of a Society divided into two sections; the one that wishes to know everything about the people they visit; the other who does not want to know anything about them.
CHAPTER V
After looking at the prologue of the show, Lionel and Danford entered the house and ascended the steps of the once richly-carpeted staircase. At the top stood, or at least wabbled, a little woman, leaning heavily on a stick; at her side was Sam Yorick, the social guide, who had no rival as a mimic of Parliamentary members, but who could not hold a candle to Dick Danford. Mrs Webster had applied too late, and had to take Yorick and consider herself lucky to get him, for he was the last male guide available, and she strongly objected to having a woman guide.
The house was superbly decorated with large china vases in which magnolias, azaleas, and rhododendrons had been placed. The reception-rooms were filling rapidly; it was soon going to be a crush. Every description of plastic was there—the small, tall, large, thin; and one uniform shade prevailed, that of the flesh colour. As the rays of the burning sun entered obliquely, tracing long lines of golden light on the parqueted floor, it illuminated equally the phalanxes of refined feet and ankles, flat insteps and knobby toes.
“My lord, do you see there Mrs Archibald?”
“What, the vaporous Mrs Archibald? But where is the grace of the woman we used to call the sylph of Belgravia?”
“She lost her chiffon covering in the London storm, my lord.”
“Some fat old dowager malignantly said of her that she was draped in her breeding, so thin and undulating did she appear. But, has the breeding disappeared also in the torrential rain? for she looks as strong as a horse—see these thick ankles, short wrists, and red arms. I always objected to that sylph in cream gauze, for one never could get at her, she lived de profil and one only could peep at her through side doors.”
“Who was her husband?” inquired the little artist.
“He was colonel of a crack regiment. His ideas were limited to two dogmas: the sense of military exclusiveness, and a profound horror of intellectual women. Like his wife he was well-bred.”