They were sketches evidently, and on the fold of white paper, which was their last covering, Ned had written one word.

"Avilion."

She sat looking at them all, these plans and sketches of the island in the southern sea, that was to have been that Island of the Blessed, of which a glimpse only can be seen by mortals, when at sunset time the golden sea fades into the golden sky, and far away--is it land or is it cloud?--a purple shadow, tipped with rosy light into distant peaks, fades with the sky into the grey of night.

How beautiful they were! And in every one of them, in front, even of the foreground, looking out, as the painter himself must have looked out, over the blue ripples, down into the pellucid cave depths where strange fish showed in flashes of colour, towards the leafy contours of the ilex woods, along the flower-decked lawns, or through the fluted columns of marble pavilions, stood the filmy diaphanous figure of a woman, white, immobile, mist-like with averted face.

But she knew who it was, and a lump rose in her throat as she recognised it as his dream of her.

She was not worth it! No! Behind his dream of her stood a reality that had nothing to do with her. He was seeking, and she was seeking something that had nothing to do with manhood or womanhood.

The fire blazed up fiercely, fitfully, as one by one in obedience to his request, those dreamful figures caught, flared up for a space, and then died down into little trembling sparks.

Behind them all lay Darkness and Peace. So to her as she sat holding the Dream of a Man's Love in her hands, came for the first time a glimpse of the sightlessness and soundlessness, and touchlessness, which lie beyond all earthly things.

Ned meanwhile was giving his orders to Martha in the kitchen. She was taking them, as usual, with many subservient bobs, but with a certain waveringness of voice, and an unsteadiness of eye which augured ill for her calm of mind.

"I'll do my best, your lordship," she said finally with an odd little sniff, half tears, half anger. "But what with folks going away as shud 'ave stayed, an' them as might a-gone away an' welcome stoppin' on, an' both together comin' back an' staying away, I'm like a o-ven with the door bein' open constant--not fit to bake a penny-piece."