In pursuance of which plan he went out then and there to the verandah, where a dozen or more lank boys were lounging about listlessly, just beginning to feel that life might soon mean more than a grey duffle dressing-gown and a long chair.

"No, sir," said the first, firmly. "I disremember anythin' that done me good. I jest lay with a sickenin' pain in my inside, an' a don't-care-if-I-do feelin' outside." He paused, and another boy took up the tale sympathetically.

"So it was. A reg'lar, don't-care except w'en that little 'eathen--'im that's always saying shâhbâsh, sir, come along; an' that seem to me most times. 'E made me feel a blamed sight--beggin' pardon, sir--worse. For I kep' thinkin' of where I see 'im first, like a alley taw in the dead 'ouse; and the dead 'ouse isn't a cheerful sorter think w'en you ain't sure but wot you're going there. It made me--" he paused in his turn.

"Made you what?" asked Terence O'Brien, who had followed to listen.

"Give me the 'orrors, sir, till I'd 'ave swopped all I knew to kick 'im quiet; but not bein' able, I jest lay and kep' it for 'im against I could, till it seemed like as I must; an' so I will."

"In cases of extreme nervous depression, sir," began the junior, mischievously, "a counter irritant--"

"Pshaw!" interrupted Dr. Pringle, angrily, and walked back with great dignity to the office.

But the conversation thus started lingered among the grey dressing-gowns, the result of comparing notes being a general verdict that "Alley taw" deserved that kicking. He did not actually get it, however; the boys were too big, and he too small for that. But he sank into still greater disrepute, becoming, in truth, that most unenviable of all things not made nor created, but begotten of idle wit--a garrison butt. Not that he seemed to care much. He grew more furtive in his lounging, but nothing seemed to disturb the divine calm of his commendation for the world which he had created for himself with his "Bravo, boys, bravo!" Behold, all things in it were very good! That, at least, was Terence O'Brien's fanciful way of looking at the position. As he went about his work whistling "Belave me, if all those endearing young charms"--a tune which, he said, cheered the boys--he would often pause to smile at the shâhbâsh wallah. After a time, however, the smile would change to a quick narrowing of the eyes, as if something in the bearing of the man was puzzling. Finally, one day, coming upon the man sidling along a bit of brick wall, which had been built to strengthen a crack in the mud one overhanging the dry watercourse, he pulled up, asked a few rapid questions, and then lifted the man's eyelids and peered into the soft brown eyes, as if he wanted to see through them to a crack he knew of in the back of the man's skull.

"And you are sure you see as well as ever?" he asked again.

"Quite as well, Huzoor," came the answer, with a faint tremor in it. "I can see to carry the torch on the darkest of nights if it is wanted, Huzoor!"