So he returned to Andijân and to a boy's life of study and sport. The saintly Kâzi was his tutor, and kept the boy to his Al-jabr (algebra) and Arabic, and abstruse dialectic dissertations on the nature of the Kosmos. There were not many books to be read in Andijân, but Babar knew them all. He had the Epic of Kings almost by heart, and used to regret there were not more details about the great Jamsheed with his wonderful divining cup; Jamsheed who reigned with might, whom the birds, and beasts, and fairies, and demons obeyed; Jamsheed of whom it was written "and the world was happier for his sake and he too was glad." That was something like a King!

And Babar learnt also, in a rude, unrefined way, all the accomplishments of a Turkhi nobleman. He could strum on the lute, bawl a song fairly, and play with singlestick to admiration. The latter was Kâsim's care; Kâsim who was the best swordsman in the kingdom and who used to quarrel with the Kâzi as to whether the young student's strongest point was fencing, or the fine nastalik hand-writing in which Babar excelled.

As for sport, the snow falling early brought the deer down to the valleys; and the undulating country about Andijân was always full of wild fowl, while pheasants by the score were to be shot in the skirts of the mountains.

The boy was growing fast and in his lambskin coat worn with the fleece inside, the soft tanned shammy leather without all encrusted by gold-silk embroidery to a supple strength that kept out both cold and sabre cuts, he looked quite a young man; and his high peaked cap of black astrachan to match the edgings of his coat and bound with crimson velvet suited his bright animated face.

Dearest-One admired him hugely.

"I would the court painter were not a fool," she said regretfully as he came in one day from the chase and held up for her inspection a cock minâwul pheasant all resplendent in its winter plumage. "But he cannot see. When he paints thee he makes thee all as one with Timur Shâh and Ghengis Khân--on whom be peace--but I want thee."

In truth it needed a better artist than Andijân held to do justice to the fire which always leapt to the boy's face when beauty such as the iridescent bird's struck a spark from his imagination and made the whole world blaze into sudden splendour.

"Baisanghâr might do it likely," replied Babar thoughtlessly; "he hath a quaint turn with his brush that is not as others; and he said he would love to paint thy portrait--" he broke off suddenly, aware that this was a subject which had better not have been introduced. But, indeed, there seemed a fate that he should always talk of Baisanghâr to his sister. Could it be her fault? He looked at her with boyish reproach, but the girl's face was lit up with smiles and dimples.

"Aye! he said that. Did he say more after I had gone? Tell me, brotherling."

But he walked off in dignified fashion with the cock pheasant. His sister thought too much of Baisanghâr. And it was time she married.