and so on through every common and uncommon object on God's earth--and beneath it!
The childish body had swayed to the rhythm of the chant; the childish voice had risen clear in denunciation; the childish soul had given its consent to every wish; for Parbutti was nothing if not serious.
The very cantrips of the Sakta cult to which her parents--and some fifty millions of other Bengâlis--belonged, were to her so many indispensable realities.
She, as an unmarried girl, ate her plateful of sacrificial meat contentedly, though her mother refused it. She sate wide-eyed, solemn, acquiescent, when after long fasting the whole family waited in the dead of the night till the auspicious moment for sacrifice arrived, and in the silence the only sound was an occasional piteous, half-wondering bleat of the miserable victim--a pet goat, mayhap! She did not wink an eye when the consecrated scimitar curved downwards, a jet of red, red bubbling blood spurted into the dim light, and a sort of sob from the dying and the living alike told that atonement was made.
That sort of thing did not make her or any of the other women quiver; yet they were affectionate, emotional, kind-hearted. "Without shedding of blood is no remission of sin," is a Pauline text; but it was theirs also. Graven by age-long iteration in their limited minds and lives was the dogma that the Blood is the Life thereof. There was but one Sacrament; the Sacrament of Blood. Marriage was secondary, but cognate to it, of course; that was because it was the Gate to Birth and Death, through which none pass without the Great Sacrifice. So they clothed the bride in scarlet, and smeared her forehead with vermilion. It was this stability of inner thought which enabled the women to be so untiring in their variants of its outward application. All the bathings and anointings and soothsayings had this unchangeable dogma as foundation. So the round of ritual went on, the drums throbbed in unending rhythm, the conches blared in deafening yells, the whole house was full of the rustlings and bustlings of womenfolk. It must surely have been a wedding which made Babu Kishub Chander Sen write the ponderous dictum: "Man is a noun in the objective case, governed by the active verb woman."
Parbutti's father, being a sensible man, removed himself as much as possible from the ebullient atmosphere; perhaps it was as well, since he was a light in the Nationalist party, and the ceremonials of a Sakta wedding do not go well with talk of political rights and wrongs, of education, and equality, and exotic tyranny.
Even Parbutti's solemnity was not quite proof against the silly suggestiveness, the almost indecent jokes and tricks, the hysterical enhancing of emotions with which she was surrounded.
She felt it a relief when, the guests having retired for some sleep, she was free to perform her daily devotion at the shrine downstairs.
It was a quaint place, this shrine dedicated to Mai Kâli in her terrific form--in other words, to Our Lady of Pain--the Woman ever in travail of mind and body--the Ewig Weiblichkeit which is never satisfied. It formed on the river side of the house, a sort of low basement, private in so far that a flight of steep stone steps led down to it from the lowest storey of the house, public in that it opened on to some bathing steps. But few people came thither except on certain festivals; so Parbutti, still in her wedding finery, stole down to it confidently. She liked the small, dim, arched chamber where you could only see Mai Kâli as a blotch of crimson in her dark niche. And as you crept down the stairs behind that niche, and looked through the crisscross iron bars that filled up the arch, "She" showed nothing but a black shadow against the brilliance beyond. Parbutti used often to stand for an instant or two on the cornerwise landing of the stairs to look before passing up. Everything showed black but the low square of the outside doorway; and even the pigeons when they flew across it seemed flitting shadows on the light. To-day she was in a hurry, so she squatted down promptly at a respectful distance from the image, and began to smear the floor from a goglet of red paint she had brought with her. And as she did so she chanted:
"Om! Om! Kâli Ma!--
Ruler, Thou, of blackest night--
Dark, Dark, not a Star--
In Thy Heaven Kâli Ma!--
Thou who lovest the flesh of man--
By this blood I pray thee ban--
Aliens in Hindustan--
Kill them, Kâli Ma!--
Drink their blood and eat their flesh--
Thou shalt have it fresh and fresh--
Lo! devour it! lick thy lips--
Flesh in lumps and blood in sips--
Stain thyself with sacred red--
Make them lifeless, dead! dead! dead!
Blessed Kâli Ma!
Ho-o-m! 'Phut!"