'Let me go, beloved!' she giggled. 'Did I not say the sand lay under all? What! art jealous? jealous of Chândni the courtesan? Wouldst have me Dalelâh since thou art Dalel? If that be so, I will put thee in good temper again.'
She snatched at an old banjo hanging on a nail, sank down amid her draperies like a cobra on its coil, and began recklessly to sing 'Ta-ra-ra-boom-de-ay,' while Dalel waggled his head, but half mollified.
'Thou canst not dance it though,' he maundered sleepily. 'Not as 'twas pictured in the English papers at the Jubilee Institute. Thou art no good at all. I will change thee for a half-caste girl. Yet if there be no money in the treasury? Lo! Fate is hard, and I have done my best.'
And still the song of civilisation went on, full of incongruous barbaric intervals. The girl in the balcony retreated in a huff before an accomplishment unknown to her: the quail-fighters laughed at the noise. Only George Keene, wandering about one of the inner courts of the palace, seeking a good spot whence to sketch a certain blue-tiled mosque, found himself unconsciously whistling a refrain, and paused to listen in sickening suspense. Yes, it was! Fitzgerald was right when he said the country was being ruined by culture! What an inconceivable, unthinkable contrast to that great ruined courtyard, its blue tiles decorated in endless writing with the Attributes of God. At least how inconceivable it would have been six weeks ago, when he had first seen the mosque with Dan as his companion. For George Keene was becoming accustomed to being, as it were, depolarised. It would have made him very angry had any one told him that Hodinuggur had already altered his outlook on life, though it could scarcely have failed to do so. To begin with Dalel Beg's occidental follies, grafted on to a sound stock of ancestral vices, made him, as he leered over a billiard cue and tried to induce George to bet, quite a startling study. Not so disturbing, however, as the sober, gentle, inoffensive villagers with the confession, 'It is God's will,' on their patient lips. Content to toil and die, smiling over the fact. Surely, something ailed the terminology of religion if these were Heathen, and certain Western folk in his father's suburban parish were Christians? Then there was the mad potter in whose walled yard George listened to the oddest old-world tales, and the Diwân with whom the lad played chess. To tell truth, he never climbed up for that purpose to the tower without a breathlessness not altogether to be accounted for by the steepness of the stairs. Face to face with the old man, sitting still as a statue before the pieces, George felt himself face to face with something he could not set aside with a sneer. Yet he might have been playing with an automaton for all the interest Zubr-ul-Zamân displayed, while he, on his part, was agonising in anxiety. But once his hand had left the piece, the old man's would rise from his knee, hover over the board for a second, then swoop down unerringly with the murmur, 'My play is played.' And the move generally disposed of all George's deep-laid plans, for the Diwân was a passed master in chess. Yet the lad returned again and again for a beating, being dogged in his turn. He was, in fact, on his way from one when Chândni and the banjo started his thoughts along a familiar channel. Certainly they were an odd people, and somehow it was difficult to write home letters which should at once reflect the truth and give satisfaction to the British public.
Meanwhile Chândni, desisting with Dalel's first reliable snore, threw the banjo aside and reviewed the position. There was no mist of reserve between her and her profession. She had been born to it, as her forebears had been. Her success in it was rather a matter for pride than shame; her only anxiety being the future. Should she linger on as she had been doing in hopes that out of sheer conservatism Dalel Beg would attach her to him permanently by some of the many possible marriages? Or should she risk the life of a go-between in her old age, return to Delhi and amuse herself? The reappearance of the painted girl in the balcony decided her; she would not give way to such creatures as that until the emptiness of the Treasury was indubitable. Yet as she sat rolling the little pellets of opium for her midday dose between her soft palms she looked at her lover distastefully. He was no good, and if the sluice-gates were to be open that year she must bestir herself--she and the Diwân. So much was settled before she swallowed the dream-giver and threw herself full length on the bare string bed set deep in the shadows. Then the silence of noon fell on that sinful slip of bazaar. Even the quails ceased to challenge from their hooded cages, and the sutara-player with the pomegranate blossom stuck in behind his ear had forgotten the giver in sleep. But out in the fields the peasants were at work on their scanty crops, and George Keene as he entered the red brick bungalow paused to listen to a cry which never failed to impress him. The cry of praise to the giver with which the villagers drew water from the wells which stood between them and death. Truly in that wilderness of sand, water was the mother of all things. What wonder if it became the motive power in life? What wonder that, like the silver sword of the big canal, it cut the world into halves--the people who wanted, and the people who did not want the sluice-gates opened. With a laugh at his own fancy he went in to lunch, wondering this time what form the desert fowl would take: it certainly was the mother of all food! Hodinuggur might have its serious aspects, but on the whole it was farcical as well as tragical, and 'Ta-ra-ra-boom-de-ay, counterbalanced that cry of thanksgiving.
And that same evening, while he was reading the last number of the Nineteenth Century in the verandah, Chândni had an interview with the old Diwân on his tower, which, had George been aware of it, would have seemed to him farcical beyond belief, though it was deadly earnest to the actors. She sat at the old man's feet so as to be within earshot of a whisper, since walls, especially in an Indian palace, have ears. That was why Diwân's chair was set out in the open under the star-gemmed dome of the sky which paled to its circled setting of plain that, seen from the height, seemed in its turn to curve, cup-like, to meet the sky. The decent domino she had worn on her way was cast aside out of sheer coquetry, so that her supple figure, unadorned save for the heavy chaplets of jasmine flowers shrouding the filmy muslin, might stand outlined above the low parapet among the stars. For Chândni was shrewd. The ordinary jewels of her class might have aroused memories in the old man, and she wished to impress him with her individuality.
'Nay, daughter,' he said approvingly, 'I well believe failure was not thy fault. As for thy plan--speak.'
She drew her lips closer to his ear, and laid one hand on his knee, as if to hold his attention.
'Father! all men care for something. He cares not for what he has been given. Let us try others. If they fail, well and good. Now there is one thing such as he favour--God knows why?--but I have seen them myself in the bazaar at Delhi--sahibs who have come over the black water to buy ragged rugs and battered brass pots. Why? Because, forsooth, they are old! The crazy potter would say it was because they remember them. I know not. But this boy pokes about the old things--questions of the old tales.'
Zubr-ul-Zamân nodded approval. 'True, he favoured the Ayôdhya pot; but he returned it.'