There is a proper front door somewhere about the place, only no one ever seems to find it; the path leading to it from the main gate unobtrusively hides itself among the fir-trees, wandering round at the rear of the house, and under some low apple-trees—of course, no one who wasn’t familiar with the geography of the estate would think of exploring such an out-of-the-way, narrow, grass-grown trail. No, they would naturally follow along the irregularly-flagged broad path that is kept by the handy man fairly free from weeds (except some little ferns that will peep up at the edge, no matter what he does to them, and a saucy white violet that has planted itself right in the very middle of the walk and blooms vigorously).
Along this path most people go, whether they carry their best sunshade, a bead bag and a silver card-case, or are merely delivering two half-pounds of butter done up in dock leaves, and a cream-coloured duck wrapped up in a coarse white tea-cloth with his liver tucked under his wing, a big bunch of fresh sage stuck in his mouth—“and, please, mother’s put in a couple o’ onions in case you didn’t happen to have none.”
This broad path leads to a corner in the architectural conglomeration where there are two doors at right angles—one moderately respectable and one smaller and shabbier. If you carry a silver card-case, you knock at the respectable-looking door—which promptly admits you into the scullery: if you are merely someone anxious to dispose of a few eggs or wanting to borrow a little flour, you knock more humbly at the shabby door—to find you are battering at the coal-house.
Abigail deals with callers according to their status: the silver card-cases are invited, in dulcet tones, to retrace their steps along the broad path and take the narrow one to the front door. Sometimes they do exactly as they are told; but more often, alas! they espy yet another door, which they promptly make for, and this one precipitates them right into the living-room and on top of me, no matter what I may be doing.
Inside the cottage it is a similar jumble. You think you have found the living-room all right, when you come in from the garden, only to pull up in a large pantry, like a small room, with shelves full of delicious mysteries in glass jars and jampots and pickle bottles.
You open a door in the living-room, thinking it is the one leading out into the back hall, to find yourself confronted with a very steep and narrow stone staircase, which is one way of getting upstairs! Of course you get used to it all in a few days, and eventually cease to tumble down over the odd step that is obligingly placed here and there in dark spots, wherever the floor level changes in the halls or landings. But to those who are not native-born it is a wee bit confusing at first.
The living-room was originally the kitchen. It has a large fireplace with an oven, and wide hobs whereon you can stand a kettle or anything else you want to keep hot. It has a crane, too—only we daren’t cook our dinner in a pot suspended from it, because I don’t want Abigail to give notice. We have therefore to content ourselves with giving the crane an occasional swing.
The mantelpiece—of oak that is black with age—has two shelves, the upper one projecting beyond the lower, which has a frill of chintz beneath. Higher up still there is an ancient rack for holding a couple of guns, and there are cupboards on each side, also of black oak, that must have been put there when the house was built.