Dolls themselves were very scarce, but I had several sets of dolls’ tea-things, given by discerning aunts, and here they are, in a funny old glass cupboard in the corner of the sitting-room. One is a very small set, with teeny pink rosebuds on it; another is a larger set, that my small friends drank tea out of (and occasionally smashed a cup for me). There are two dinner services, one in plain white—a round soup tureen, a gravy boat, a square vegetable dish, with some remaining plates and dishes; the other a gorgeous affair, with Dickens scenes on each plate—one dozen meat and six soup plates, with dishes and tureens galore, and oh! such lovely china soup and sauce ladles, all en suite.
These dolls’ things seem to affect people in different ways. Some look at them with eyes that go back to their own childhood, and memories that recall similar treasures that they wanted when they, too, were little, and did—or did not—get. Such people know exactly why I value these things. They handle them lovingly, but don’t say much.
But there are others who gaze at the dolls’ china (and the little wooden animals, and the glass slipper I was certain Cinderella wore, and the china grand piano, and the dolls’ brass fender, and all the other oddments), and then look at me in blank astonishment. It is evidently incomprehensible to them that any sane woman, in these days of strenuous intellectuality, can hoard such childish rubbish. And I am powerless to explain my reasons.
Occasionally, however, light breaks across one of these amazed countenances, and a woman will suddenly exclaim: “I have part of a dolls’ dinner service somewhere in the attic at home, I believe. I shall get it out, and put it in my china cabinet. It looks quite smart, doesn’t it?”
To which I reply: “Yes; and I hear they are going to be much worn this season.”
All the decorations in the house are on the most homely lines, one room has each deep window-ledge filled with seashells and coral. If you want silver boxes and cut-glass scent-bottles in the bedroom, you must bring them yourself. We think the wooden dressing-table looks all that can be desired, clothed in a blue-glazed lining petticoat, with white dotted muslin on top. And who could want a silver-backed hand-glass, when they have the chance of using one that has its back encrusted with small seashells!
There are plenty of pictures all over the house, many of them without frames. Haulage is an expensive matter on these hills, and we always take this into consideration. Several of the rooms have friezes made of brown paper, to which have been affixed a series of coloured plates. The charm of this arrangement is that you can take down the old frieze and put up a new one—or stick a fresh picture over some old one—as often as you please.
All pictures, however, show beautiful views of outdoor scenery: heather-clad hills, flowering gardens, snow-covered peaks, and rolling waves. Whether they are original paintings that famous artists have given me, or plates from art magazines, they are all views of large spaces, and induce big, restful thoughts.
Some cards that hang on the bedroom walls have been singled out again and again by my friends for special commendation. I happened to see them one day when I was going round the Book Saloon of the R.T.S. in St. Paul’s Churchyard. One special favourite has these lines on it (possibly you know them?):—