It may be a merry jingle nonsense rhymes that you intend shall please by their very absurdity; or it may be the voicing of some tragedy haunting many human lives that you rely on to touch the human heart; or the description of some scene of beauty that you feel will be the main attraction of your writing; or perhaps it is the unselfishness of the hero, the strong courage of the heroine, or the ingenuity of the villain that is to be its outstanding feature.
Whatever it may be—keep it well in view, and always work up to it. The trouble with so many amateurs is their tendency to forget, before they are half-way through their MS., the ideas with which they started!
Settle on Your Audience
The class of reader whom you hope to attract is another point to be taken into consideration. The literature that appeals to the factory girl is not the type calculated to enthuse the business man; the book that delights the Nature lover might be voted "insufferably dull" by the woman who likes to fancy herself indispensable to smart society.
While we do not, as a rule, write only for one small section of society, there are certain divisions, nevertheless, that must be recognised; and the beginner who is not sufficiently versed in his craft to be able to work in broad sweeps on a big canvas that can be seen and understood by all, is wise to observe definite limitations, and work within a clearly-marked area.
You must decide whether a story is for the schoolgirl or her mother; whether you are writing for those who crave sensation, or for those who like quiet, thoughtful, restrained reading; whether your article is for the student who already knows something about the matter, or for the general reader whom you wish to interest in your theme.
Having settled who are to be your readers—do not let them slip your memory while you address several other conflicting audiences from time to time. Writers of books for children are especial sinners in this respect, frequently introducing passages that are quite outside the child's purview, and obviously better suited to adults.
Be sure of your Object
Your object in writing should be definitely settled before you start on your MS. Is it to instruct, or to help, or to entertain? Is it to provide excitement, or to act as a soothing restorative to tired nerves and brain? Is it to expose some social wrong, or to enlist sympathy for suffering and misfortune? Is it to make people smile, or to make them weep? Is it to induce a light-hearted and care-free frame of mind, or to make the reader think? Is it to pander to a vicious taste, or to foster clean ideals?
Inexperienced writers often seem to think there is no need for any defined purpose in their work, unless they are issuing an appeal for charity, or writing an article that is to combat some special evil. Yet everything we write should have a purpose. Unfortunately, we have dropped into a habit of ticketing a work "a book with a purpose" when it deals particularly with religious or social propaganda; whereas every book should be a book with a purpose, or it will not be worth the paper it is written upon. You must have some reason for what you write, or some object which you keep in view, if you are to make any impression on the reader.