“This is for mother,” said Rhoda, shaking out a light wool wrap. “They’re wearing these little shawls so much this spring. Charlotte, doesn’t she look nice in it!” Throwing her arms around her mother’s shoulders Rhoda kissed her twice and then rushed back to the table piled with packages. “And I’ve got the sweetest bonnet for you, Charlotte!” she went on, opening a bandbox. “There! isn’t that lovely, mother?” She tied the strings under Charlotte’s chin and all three clustered about the mirror as the girl critically surveyed herself therein.
The bonnet covered her head, in the fashion of the days “before the war,” and the wreath of flowers inside its front made a dainty frame that seemed to be trying to compel into demureness the saucy face with its tip-tilted nose and mischievous brown eyes.
The two sisters, reflected side by side in the mirror, looked oddly unlike. Charlotte’s deep tones of hair and eyes and rich coloring paled in her elder sister into light brown and gray, and faint rose-bloom upon her cheek. But Rhoda’s straight, thin-nostriled nose gave to her countenance a certain dignity which the other’s lacked, while her mouth, with its curved upper lip, just short enough to part easily from its full red fellow, had a piquant sweetness more attractive than her sister’s more regular features. Her eyes, large and gray, and indeed all the upper part of her face, had a serious expression. At the corners of her mouth there was just the suggestion of an upward turn, like that in the Mona Lisa. It gave to the lower part of her face an expression curiously contradictory of the grave upper part, as if sense of the joyousness of life were always hovering there and ready at any moment to break forth in laughter. When she did smile there was a sudden irradiation of her whole countenance. The short upper lip lifted above white teeth, the faint upward curve at the corners of her mouth deepened and her eyes twinkled gaily. But no one ever accounted Rhoda so handsome as her younger sister. Even those who admired her most thought her forehead too high and her cheek bones too prominent for beauty.
“And this muslin is for a dress for you, Charlotte,” Rhoda went on, holding it up for their inspection. “Isn’t this vine a lovely pattern, mother? We must make it with three wide flounces, from the foot to the waist, and the skirt even wider than these we’re wearing now. And this white silk is to make a drawn bonnet for you, mother. I saw several of them in Cincinnati—they’re quite the latest thing. I have the pattern and directions and I’m sure I can do it.”
There were only three of them, but as they moved about in their big, balloon-like skirts, examining, comparing, discussing the purchases, they seemed to pervade the whole large room with the essence of femininity and to fill it with their bodily presence.
“What’s this?” said Charlotte, taking up a small package. “It feels like a book.” And she began to undo its wrappings.
Rhoda looked, then half turned away. “It is a book—one father bought for me. You won’t care about it.”
Charlotte glanced at her curiously and with increased interest went on with the unwrapping. “Oh! ‘Uncle Tom’s Cabin!’” she exclaimed disdainfully as she tossed the book away. “What do you want to read that for? Walesy, stop it!” And with a backward jump and a downward swoop she extricated the kitten from beneath her hoopskirt, boxed its ears and then cuddled it in her arm, whence in a moment more issued sounds of distress and anger.
Her mother spoke reprovingly, in soft tones that betrayed southern birth: “Charlotte, don’t hurt the little thing! Do try to remember that you’re grown up!”
The girl rubbed the kitten against her face and cooed: “Well, it was its own Charlotte’s precious Prince of Walesy kitty-cat and if it wants to say that ‘Uncle Tom’s Cabin’ is just a nasty old Black Republican mess of lies it shall, so it shall! Shan’t you, Walesy?”