On the other hand, the woman’s love for the man is essentially unselfish. Its keynote is, “He needs”; its dominant, “I am his, to do with as he pleases”; its full major chord, “Let me give all.” In the Book of Canticles, one of the greatest love-poems ever written, we find this truth exemplified; we see the woman’s heart learning its lesson, in a fine crescendo of self-surrender. In the first stanza she says: “My Belovèd is mine, and I am his”; in the second, “I am my Belovèd’s and he is mine.” But in the third, all else is merged in the instinctive joy of giving: “I am my Belovèd’s, and his desire is towards me.”
This is the natural attitude of the sexes, designed by an all-wise Creator; but designed for a condition of ideal perfection. No perfect law could be framed for imperfection. Therefore, if the working out prove often a failure, the fault lies in the imperfection of the workers, not in the perfection of the law. In those rare cases where the love is ideal, the man’s “I take” and the woman’s “I give” blend into an ideal union, each completing and modifying the other. But where sin of any kind comes in, a false note has been struck in the divine harmony, and the grand chord of mutual love fails to ring true.
Into their perfect love, Jim Airth had introduced the discord of false pride. It had become the basis of his line of action, and their symphony of life, so beautiful at first in its sweet theme of mutual love and trust, now lost its harmony, and jarred into a hopeless jangle. The very fact that she faithfully adhered to her trustful unselfishness, acquiescing without a murmur in his decision, made readjustment the more impossible. Thus the weeks went by.
Jim Airth worked feverishly at his proofs; drinking and smoking, when he should have been eating and sleeping; going off suddenly, after two or three days of continuous sitting at his desk, on desperate bouts of violent exercise.
He walked down to Shenstone by night; sat, in bitterness of spirit under the beeches, surrounded by empty wicker chairs;—a silent ghostly garden-party!—watched the dawn break over the lake; prowled around the house where Lady Ingleby lay sleeping, and narrowly escaped arrest at the hands of Lady Ingleby’s night-watchman; leaving for London by the first train in the morning, more sick at heart than when he started.
Another time he suddenly turned in at Paddington, took the train down to Cornwall, and astonished the Miss Murgatroyds by stalking into the coffee-room, the gaunt ghost of his old gay self. Afterwards he went off to Horseshoe Cove, climbed the cliff and spent the night on the ledge, dwelling in morbid misery on the wonderful memories with which that place was surrounded.
It was then that fresh hope, and the complete acceptance of a better point of view, came to Jim Airth.
As he sat on the ledge, hugging his lonely misery, he suddenly became strangely conscious of Myra’s presence. It was as if the sweet wistful grey eyes, were turned upon him in the darkness; the tender mouth smiled lovingly, while the voice he knew so well asked in soft merriment, as under the beeches at Shenstone: “What has come to you, you dearest old boy?”
He had just put his hand into his pocket and drawn out his spirit-flask. He held it for a moment, while he listened, spellbound, to that whisper; then flung it away into the darkness, far down to the sea below. “Davy Jones may have it,” he said, and laughed aloud; “who e’er he be!” It was the first time Jim Airth had laughed since that afternoon beneath the Shenstone beeches.
Then, with the sense of Myra’s presence still so near him, he lay with his back to the cliff, his face to the moonlit sea. It seemed to him as if again he drew her, shaking and trembling but unresisting, into his arms, holding her there in safety until her trembling ceased, and she slept the untroubled sleep of a happy child.