"I did," said Helen. "Of course, had I known how ill he was, poor old boy, I should have been more patient. But I have a little son to consider now, as well as Ronnie. I did think him selfish, and I do."
"My dear angel," said Dr. Dick, "we are all selfish, every mother's son of us; and it is you blessed women who make us so."
She looked at him, with softening eyes. "You are not selfish, Dick," she said.
"I am," he answered; "and a long chalk worse than Ronnie. I combine ambition with my selfishness. I jolly well mean to get to the top of the tree, and I don't care how I get there. I down every one who dares stand in my way; or—I use them as stepping-stones. There! Isn't that a worse Upas tree than poor old Ronnie's? Mine is a life untouched by love, or any gentler feelings. All that sort of thing was killed in me when I was quite a little chap. It is the story of a broken halo. Perhaps I'll tell it you some day. Meanwhile, this being Christmas Eve and not Ash Wednesday, I'll make no more confessions. Don't you want to hear the result of my psychic investigations, concerning our mirror experiences?"
"Exceedingly," said Helen. "Have you time to tell me now?"
"Heaps of time. It won't take long. Last night I told the whole story to a man who makes a special study of these matters, and knows more about things psychic than any other man in England. The Brands asked me to dinner and arranged to have him also. After dinner he and I went down alone to the doctor's consulting room, and talked the whole thing out. I was careful to mention no names. You don't want to be credited with a haunted room at the Grange, neither do we want Ronnie's name mixed up with psychical phenomena. Now I will give you this man's opinion and explanation, exactly as he gave it to me. Only, remember, I pass it on as his. I do not necessarily endorse it.
"He holds that inanimate objects, such as beds, walls, cupboards, staircases, have a power of receiving, absorbing and retaining impressions transmitted to them through contact with human minds in extreme conditions of stress and tension. This would especially be the case with intimately personal things, such as musical instruments, or favourite chairs. Old rooms and ancient furniture might retain these impressions for centuries; and, under certain circumstances, transmit them to any mind, with which they came in contact, happening to be strung up to the right key to respond to the psychic impression. He considers that this theory accounts for practically all ghost stories and haunted rooms, passages, and staircases. It reduces all apparitions to the subjective rather than the objective plane; in other words the spirit of a murdered man does not return at certain times to the room in which he was done to death; but his agonised mind, in its last conscious moments, left an impress upon that room which produces a subjective picture of the scene, or part of the scene, upon any mind psychically en rapport with that impress. I confess this idea appeals to me. It accounts for the undoubted fact that certain old rooms are undeniably creepy; also that apparitions, unconnected with actual flesh and blood, have been seen by sane and trustworthy witnesses. It does away with the French word for ghost—revenant. There is no such thing as a 'comer-back,' or an 'earth-bound spirit.' Personally, I do not believe in immortality, in the usually accepted sense of the word; but I have always felt that were there such a thing as a disembodied spirit, it would have something better to do than to walk along old corridors, frightening housemaids! But, to come to the point, concerning our own particular experience.
"I carefully told him every detail. He believes that probably the old Florentine chair and the 'cello had been in conjunction before, and had both played their part in the scene which was re-acted in the mirror. If so, poor old Ron was jolly well in for it, seated in the chair, and holding the 'cello. His already over-excited brain found itself caught between them. The fitful firelight and the large mirror supplied excellent mediums for the visualisation of the subjective picture. Of course, we do not yet know what Ronnie saw. I trust we never shall. It is to be hoped he has forgotten it. Had you and I seen nothing, we should unquestionably have dismissed the whole thing as merely a delirious nightmare of Ronnie's unhinged brain.
"But the undoubted fact remains that we each saw, reflected in that mirror, objects which were not at that moment in the room. In fact we saw the past reflected, rather than the present. My psychic authority considers that both our impressions came to us through Ronnie's mind, and were already fading, owing to the fact that he had become unconscious. I, coming in later than you, merely saw the Florentine chair in position. All else in my view of the reflection appertained to the actual present, into which the long-ago past was then rapidly merging. But you, coming in a few moments sooner, and being far more en rapport with the spirit of the scene, saw the tall man in a red cloak—whom you call the Avenger—strangling the girl. By the way, why do you call him the Avenger?"
"Because," said Helen, slowly, "there was murder in the cruel face of the woman, and there was a dagger in her hand. She had struck her blow before he appeared upon the scene. I know this, because it was the flare of his crimson cloak, as he rushed in, which first caught my eye, in the firelight, and made me look into the mirror at all. Before that I was intent on Ronnie. The Avenger seized the woman from behind; I saw his brown hands on the whiteness of her throat. Grief and horror were on his face, as he looked over her shoulder, and past the chair, at the prostrate heap upon the floor."