‘What does she mean?’ he ponders, ‘by saying she is not beautiful like Cissy Lawless, and telling me to remember how treacherous women are, as if I didn’t know the jades. Is it possible Ethel can be jealous—jealous of that poor, pretty little creature who is breaking her heart about her Jack? No! that would be too ridiculous, and too alarming into the bargain; for even if I can get the boy out of the scrape, it is hardly a matter to trust to a woman’s discretion. Well, well, I must do the best I can, and leave the rest to chance. Ethel to be jealous! the woman I have devoted my life to! It would be too absurd if anything the creatures do can possibly be called so.’
And then he walks off to breakfast with the Lawlesses, though his heart is rather heavy, and his spirits are rather dull for several days after his wife starts for the castle on the hill. Ethel, on the other hand, gets on still worse than her husband. As she lies in her transit, swaying about from side to side over the rough country roads, she is haunted by the vision of Charlie walking about the garden till the small hours of the morning, hand in hand with Cissy Lawless, with a mind entirely oblivious of his poor wife and child, or indeed of anything except his beautiful companion. Twenty times would she have decided that she could bear the strain no longer, and given the order to return to Mudlianah, had it not been for the warning conveyed in the fretful wailing of her sickly child—his child—the blossom of their mutual love. So, for Katie’s sake, poor Ethel keeps steadfastly to her purpose, and soon real troubles take the place of imaginary ones, and nearly efface their remembrance. She is well protected by a retinue of native servants, and the country through which she travels is a perfectly safe one; yet, as they reach the foot of the hills up which they must climb to reach the celebrated castle, she is surprised to hear that her nurse (or Dye), who has been with her since Katie’s birth, refuses to proceed any further, and sends in her resignation.
‘What do you mean, Dye?’ demands her mistress with a natural vexation, ‘you are going to leave Katie and me just as we require your services most. What can you be thinking of? You, who have always professed to be so fond of us both. Are you ill?’
‘No, missus. I not ill, but I cannot go up the hill. That castle very bad place, very cold and big, and bad people live there and many noises come, and I want to go back to Mudlianah to my husband and little children.’
‘What nonsense, Dye! I didn’t think you were so foolish. Who has been putting such nonsense into your head? The castle is a beautiful place, and you will not feel at all cold with the warm clothes I have given you, and we have come here to make Miss Katie well, you know, and you will surely never leave her until she is quite strong again.’
But the native woman obstinately declares that she will not go on to the Mandalinati hills, and it is only upon a promise of receiving double pay that she at last complainingly consents to accompany her mistress to the castle. Ethel has to suffer, however, for descending to bribery, as before the ascent commences every servant in her employ has bargained for higher wages, and unless she wishes to remain in the plains she is compelled to comply with their demands. But she determines to write and tell Charlie of their extortion by the first opportunity, and hopes that the intelligence may bring him up, brimming with indignation, to set her household in order. Her first view of the castle, however, repays her for the trouble she has had in getting there. She thinks she has seldom seen a building that strikes her with such a sense of importance. It is formed of a species of white stone that glistens like marble in the sunshine, and it is situated on the brow of a jutting hill that renders it visible for many miles round. The approach to it is composed of three terraces of stone, each one surrounded by mountainous shrubs and hill-bearing flowers, and Ethel wonders why the Rajah Mati Singh, having built himself such a beautiful residence, should ever leave it for the use of strangers. She understands very little of the native language, but from a few words dropt here and there she gathers that the castle was originally intended for a harem, and supposes the rajah’s wives found the climate too cold for susceptible natures. If they disliked the temperature as much as her native servants appear to do, it is no wonder that they deserted the castle, for their groans and moans and shakings of the head quite infect their mistress, and make her feel more lonely and nervous than she would otherwise have done, although she finds the house is so large that she can only occupy a small portion of it. The dining-hall, which is some forty feet square, is approached by eight doors below, two on each side, whilst a gallery runs round the top of it, supported by a stone balustrade and containing eight more doors to correspond with those on the ground floor. These upper doors open into the sleeping chambers, which all look out again upon open-air verandahs commanding an extensive view over the hills and plains below. Mrs Dunstan feels very dismal and isolated as she sits down to her first meal in this splendid dining-hall, but after a few days she gets reconciled to the loneliness, and sits with Katie on the terraces and amongst the flowers all day long, praying that the fresh breeze and mountain air may restore the roses to her darling’s cheeks. One thing, however, she cannot make up her mind to, and that is to sleep upstairs. All the chambers are furnished, for the Rajah Mati Singh is a great ally of the British throne, and keeps up this castle on purpose to ingratiate himself with the English by lending it for their use; but Ethel has her bed brought downstairs, and occupies two rooms that look out upon the moonlit terraces. She cannot imagine why the natives are so averse to this proceeding on her part. They gesticulate and chatter—all in double Dutch, as far as she is concerned—but she will have her own way, for she feels less lonely when her apartments are all together. Her Dye goes on her knees to entreat her mistress to sleep upstairs instead of down; but Ethel is growing tired of all this demonstration about what she knows nothing, and sharply bids her do as she is told. Yet, as the days go on, there is something unsatisfactory—she cannot tell what—about the whole affair. The servants are gloomy and discontented, and huddle together in groups, whispering to one another. The Dye is always crying and hugging the child, while she drops mysterious hints about their never seeing Mudlianah again, which make Ethel’s heart almost stop beating, as she thinks of native insurrections and rebellions, and wonders if the servants mean to murder her and Katie in revenge for having been forced to accompany them to Mandalinati.
Meanwhile, some mysterious circumstances occur for which Mrs Dunstan cannot account. One day, as she is sitting at her solitary dinner with two natives standing behind her chairs, she is startled by hearing a sudden rushing wind, and, looking up, sees the eight doors in the gallery open and slam again, apparently of their own accord, whilst simultaneously the eight doors on the ground floor which were standing open shut with a loud noise. Ethel looks round; the two natives are green with fright; but she believes that it is only the wind, though the evening is as calm as can be. She orders them to open the lower doors again, and having done so, they have hardly returned to their station behind her chair before the sixteen doors open and shut as before. Mrs Dunstan is now very angry; she believes the servants are playing tricks upon her, and she is not the woman to permit such an impertinence with impunity. She rises from table majestically and leaves the room, but reflection shows her that the only thing she can do is to write to her husband on the subject, for she is in the power of her servants so long as she remains at the castle, where they cannot be replaced.
She stays in the garden that evening, thinking over this occurrence and its remedy, till long after her child has been put to bed—and as she re-enters the castle she visits Katie’s room before she retires to her own, and detects the Dye in the act of hanging up a large black shawl across the window that looks cut upon the terrace.
‘What are you doing that for?’ cries Ethel impetuously, her suspicions ready to be aroused by anything, however trivial.