‘I don’t believe it. His hair is as grey as a badger. Flirt with the colonel, indeed. When I want to flirt I shall look for a younger and a handsomer man than your husband, I can tell you.’
‘You’d flirt with him if he were eighty, you bold, forward girl, and I shall take good care to inform Mr Lawless of the way you have been carrying on with him.’
‘I shall go down at once, and tell him myself. You don’t suppose I would remain your guest after what has happened for an hour longer than is absolutely necessary. I wish you good morning, Mrs Dunstan, and a civil tongue for the future.’
‘Oh, of course, you’ll go to Mudlianah. I was quite prepared for that, and an excellent excuse you have found to get back again. Good day, madam, and the less we meet before you start the better. Grey haired, indeed! Why, many men are grey at thirty, and I’ve often been told that he used to be called “Handsome Charlie” when he first joined the service.’
But the wife’s indignant protests do not reach the ears of Cissy Lawless, who retires to her own apartments and does not leave them until she gets into the transit again and is rattled back to Mudlianah. When she is fairly off there is no denying that Ethel feels very lonely and very miserable. She is not so brave as she pretends to be, and she is conscious that she has betrayed her jealous feelings in a most unladylike manner, which will make Charlie very angry with her when he comes to hear of it. So what between her rage and her despair, she passes the afternoon and evening in a very hysterical condition of weeping and moaning, and the excitement and fatigue, added to terror at the stories she has heard, bring on the very calamity against which Mrs Lawless warned her. In the middle of the night she is compelled by illness to summon her Dye to her assistance, and two frightened women do their best to alarm each other still more, until with the morning’s light a poor little baby is born into the world, who had no business, strictly speaking, to have entered it till two months later, and the preparations for whose advent are all down at Mudlianah. Poor Ethel has only strength after the event to write a few faint lines in pencil to Colonel Dunstan, telling him she is dying, and begging him to come to her at once, and then to lie down in a state of utter despair, which would assail most women under the circumstances. She has not sufficient energy even to reprove the Dye, who laments over the poor baby as if it were a doomed creature, and keeps starting nervously, as night draws on again, at every shadow, as though she expected to see the old gentleman at her elbow.
She wears out Ethel’s patience at last, for the young mother is depressed and feeble and longs for sleep. So she orders the nurse to lay her little infant on her arm, and to go into the next room as usual and lie down beside Katie’s cot; and after some expostulation, and many shakings of her head, the Dye complies with her mistress’s request. For some time after she is left alone, Ethel lies awake, too exhausted even to sleep, and as she does so, her mind is filled with the stories she has heard, and she clasps her little fragile infant closer to her bosom as she recalls the history of the poor murdered mother, whose child was barbarously slaughtered before her eyes. But she has too much faith in the teaching of her childhood quite to credit such a marvellous story, and she composes herself by prayer and holy thoughts until she sinks into a calm and dreamless slumber. When she wakes some hours after, it is not suddenly, but as though some one were pulling her back to consciousness. Slowly she realises her situation, and feels that somebody, the Dye she supposes, is trying to take the baby from her arms without disturbing her.
‘Don’t take him from me, Dye,’ she murmurs, sleepily; ‘he is so good—he has not moved all night.’
But the gentle pressure still continues, and then Ethel opens her eyes and sees not the Dye but a woman, tall and finely formed, and fair as the day, with golden hair floating over her shoulders, and a wild, mad look in her large blue eyes, who is quietly but forcibly taking the baby from her. Already she has one bare arm under the child, and the other over him—and her figure is bent forward, so that her beautiful face is almost on a level with that of Mrs Dunstan’s.
‘Who are you? What are you doing?’ exclaims Ethel in a voice of breathless alarm, although she does not at once comprehend why she should experience it. The woman makes no answer, but with her eyes fixed on the child with a sort of wild triumph draws it steadily towards her.
‘Leave my baby alone! How dare you touch him?’ cries Ethel, and then she calls aloud, ‘Dye! Dye! come to me!’