Brahms' regard for his pupil, Fräulein Friedchen Wagner, had led to his becoming intimate at her father's house, and here he frequently had opportunity of hearing some of the compositions and arrangements for voices which engaged much of his attention. Fräulein Friedchen, her sister Thusnelda, and the charming Fräulein Bertha Porubszky, from Vienna, who arrived in Hamburg to stay for a year with her aunt, Frau Auguste Brandt, were delighted to practise short works in two and three parts under his direction. Probably he hoped gradually to obtain a larger number of recruits for his purpose. Before long, however, accident led to his becoming the conductor of a quite considerable ladies' choir.

On May 19 the wedding of Pastor Sengelmann and Fräulein Jenny von Ahsen took place at St. Michael's Church. There was a large gathering of friends to witness the ceremony. Grädener, already mentioned as a friend of Brahms, who was an accomplished composer and the director of a singing school, conducted his pupils in the performance of a motet for female voices which he had written for the occasion, and Johannes, a very old acquaintance of the bride, accompanied on the organ. Pleased with the effect of Grädener's composition, Brahms expressed a wish to hear his own 'Ave Maria' for female voices with accompaniment for organ, composed during his second visit to Detmold, under similar conditions of performance, and with the assistance of Fräulein Friedchen, who exerted herself to procure the requisite number of voices, a rehearsal was arranged. On Monday, June 6, twenty-eight ladies assembled at the Wagners' house, and tried, not only the 'Ave Maria,' afterwards published as Op. 12, but the 'O bone Jesu' and 'Adoramus,' now known as Op. 37, Nos. 1 and 2. Brahms was seized with a fit of nervousness whilst conducting, and Grädener, who was present amongst a few listeners, stepped forward to the rescue; but a second rehearsal on the following day went well, and the third trial in church with organ accompaniment was in every respect highly successful. The practices had been so enjoyable that, with the concurrence of Grädener, it was arranged that the ladies, most of whom were pupils of the singing school, should assemble every Monday morning to practise with Brahms; and the little society thus founded became a source of delight to all who were associated with it. The meetings were held during the first season at the Wagners' house in the Pastorenstrasse; later on they took place at several members' houses in turn. Each young lady used to sing from a small oblong manuscript book, into which she copied her parts, and several of these volumes are still in existence. After the business of the morning was over, the conductor usually played to his young disciples and admirers, who soon learned to look upon his performances as not the least memorable part of the weekly programme. Writing in the course of the summer to Fräulein von Meysenbug, Brahms says:

'... I am here, and shall probably remain until I go to Detmold. Some very pleasant pupils detain me, and, strangely enough, a ladies' society that sings under my direction; till now only what I compose for it. The clear silver tones please me exceedingly, and in the church with the organ the ladies' voices sound quite charming.'[83]

The season closed on September 19 with a performance at St. Peter's Church before an invited audience. Some of the 'Marienlieder' (afterwards Op. 22) and the 13th Psalm (Op. 27) were included in the programme. The members of the choir appeared attired in black to denote their grief at the approaching departure of their conductor, and sent him, afterwards, a silver inkstand buried beneath flowers as a mark of their appreciation of his labours. This Brahms acknowledged from Detmold in the following official letter to Fräulein Friedchen, his energetic helper in the founding of the choir:

'Detmold, end of Sept., 1859.

'Esteemed Fräulein,

'Nothing more agreeable than to be so pleasantly obliged to write a letter as I am now.

'I think constantly of the glad surprise with which I perceived the inkstand, the remembrance from the ladies' choir, under its charming covering of flowers.

'I have done so little to deserve it that I should be ashamed were it not that I hope to write much more for you; and I shall certainly hear finer tones sounding around me as I look at the valued and beautiful present on my writing-table. Pray express to all whom you can reach my hearty greeting and thanks.

'I have seldom had a more agreeable pleasure, and our meetings will remain one of my most welcome and favourite recollections.