"Then if I say 'a sound of Charlie,'" said Humphrey, "it means the same as 'a sound of rushing and singing in my head?'"
"No, no, dear," answered Sir Everard, surprised to find him so rational.
"Why, you said 'Yes,' just now," said the child, with a sob. "If you tell stories, father, you'll go to hell like.... Who was it told stories about the wild men's dinner party?" he concluded, excitedly.
"Uncle Charlie," answered his father, "but he didn't tell stories, dear, it was only a joke."
He turned his head away as he spoke, for the mention of the dinner-party brought up the image of the boy bursting into the library full of life and health and beauty, and the contrast with the little worn-out figure lying on the bed overcame him for a moment.
But the latter part of the speech, and his father's emotion, were lost upon Humphrey and he only repeated to himself over and over again, "Uncle Charlie, Uncle Charlie. Is that what I mean? What is Uncle Charlie? Who is Uncle Charlie?"
At this moment there is a sound as of an arrival; voices and footsteps outside; but Humphrey hears them not. Some one knocks at the library door. One of the maids in the distance steals gently towards it, for Sir Everard holds up his hand to enforce silence, hoping that the busy brain may get a few moments' rest. The door opens, and a young man enters. Sir Everard rises, and goes to meet him. After a few moments' whispered conversation, both advance noiselessly to the sofa, and stand looking at the little face on the pillow with its closed eyes. Closed, but not sleeping. The weary brain is trying to rake up, from its fragmentary recollections of the past, something that may throw a light on his present perplexities. Dim, confused figures flit across the stage of his fancy, glimmer, and disappear.
"Stop!" he cries feebly, as if the moving shadows wearied his brain; "oh, please stand still!"
Roused by the sound of his own voice, he opens his eyes, and, ere he closes them again, fixes them for a moment on the form standing by his bedside. Hush! do not break the spell! The mists are clearing, the shadows becoming more distinct. From the fleeting chaos before him one figure now stands out more clear, more immovable than the rest—the figure of a tall, fair man. Hush! he has found the clue! The grey walls of the old church are rising around him; the sides of the old pew are towering above him. Just in front of him is the large prayer-book, surmounted by the monogram "Adelaide," and by his side the tall, fair man! Hush it is all coming back now.