'Is the lady handsome?' asked Mr. Fussell.

Edgar hesitated. 'She has an intelligent face,' he said.

Upon this there arose much diversity of opinion; Fabian holding that this was consistent and even praiseworthy, while Maurice Browne and Mr. Fussell agreed that to deliberately marry a woman without positive and incontestable beauty ought to disqualify a man for the franchise as a person unfit for any exercise of judgment. When, however, Edgar, after allowing the controversy to rage, quietly produced and passed round the portrait of a girl beautiful enough to convert the sternest bachelor, there was a great calm, and the conversation, with a marked change of current, flowed smoothly into the abstract question of marriage. Edgar was not only acquitted; he changed places with his judges. Every objection to matrimony was put forward in apologetic tones.

'For my part, when I speak bitterly of marriage, of course I am prejudiced by my own experience,' said Mr. Fussell, with a sigh that was jolly in spite of himself. He was separated from his wife,—everybody knew that; but he ignored—perhaps even scarcely took in the significance of—the fact that he had previously deserted her again and again.

Maurice Browne averred that his only objection to marriage was that it was an irrational bond; men and women, being animals with the disadvantage of speech to confuse each other's reason, should, like the other animals, be free to take a fresh partner every year.

This was received in silence, none of us being strong enough in natural history to contradict him, though we had doubts. He added that a book of his which was shortly to be brought out would, he thought, do much to bring about a more logical view of this matter, and to do away with the present vicious, because unnatural, restrictions.

Mr. Fussell, the person present whose private conduct would the least bear close inspection, was sincerely shocked, and wished to speak in the interests of morality, when Fabian broke in, too full of his own views to bear discussion of other people's.

'Marriage,' he asserted in his excitable manner, 'for princes, for dukes, for grocers, and, in fact, the general rabble of humanity, is not a choice, but a necessity, according to the present state of things, which I see no pressing need to alter. But for the chosen ones of the earth—the artists,'—involuntarily I thought of Mr. Ellmer,—'by which I, of course, mean all those who, animated by some spark of the divine fire, have obeyed the call of Art, and given their lives and energies to her in one or another of her highest forms,—for us artists, I say, marriage is so much an impediment, so much an impossibility, that I unhesitatingly brand as mock-artists those fiddlers, mummers, and paint-smudgers who prefer the vulgar joys of domestic union to the savage independence and isolation which Art—true Art—imperatively demands. The wife of an artist—for as long as the pure soul of an artist remains weighted by a gross and exacting body, as long as he has dinners to be cooked, shirt-buttons to be sewn on, and desires to be satisfied, he may have what the world calls a wife; that wife must be content with the position of a kindly-treated slave.'

At this point there arose a tumult, and somebody threw a cork at him. He wanted to say more, but even Browne, who had given him a little qualified applause, desired to hear no more; and amid kindly assurances that hanging was too good for him, and that it was to be hoped Art would make it hot for him, and so forth, he sat down, and I, perceiving that we were all growing rather warm over this subject, suggested a move to the drawing-room, into which I had had the piano taken.

A little figure in pale pink stuff sprang up from a seat in the corner as we came in, letting a big volume of old-fashioned engravings fall from her arms. It was Babiole, who had been too deep in her discovery of a new book to expect us so soon. She gave a quick glance at the window by which she had prepared a way of escape; but seeing that it was too late, she came forward a few steps without confusion and held out her hand to Fabian, who seemed much struck with the improvement two years had brought about in her appearance. Then, after receiving the greetings of the rest, she excused herself on the plea that her mother was waiting for her at tea, and made a bow, in which most of us saw a good deal of grace, to Maurice Browne, who held open the door for her.