“That’s Nell!” said Otto.
“We have done him a cruel wrong,” murmured Clifford.
And with one accord they bent their steps in the direction of the voice; and after getting over a wooden paling by the roadside, scattering a colony of fowls on the other side, and making their way over the rough grass beside the river where the boats were drawn up which carried excursionists to Fleet Castle, they came upon a wooden shed, and a strong smell of pitch, and two human figures. The one was Jordan, coatless, with his straw hat tilted to the back of his head, a tar-brush in one hand and a tin can in the other, engaged in the humble but useful task of covering the cow-shed with a new coat of pitch.
But his two friends scarcely glanced at him. It was the other figure that absorbed all their powers of vision—a slender girl in a print frock, with a white cotton blouse and an enormous straw hat. This was the Nell who wasted the time of half the young men of Stroan, and who would have wasted the time of half the young men of London if they had only once seen her. A beauty of pure Saxon type she was, with the opaque white skin which the sun does not scorch or redden, with rose-pink cheeks, a child’s pouting mouth, and big blue eyes that made a young man hold his breath. Her hair had turned since childhood from flaxen to a deeper tint, and was now a light bronze color. There was about her an air of refinement as well as modesty which could not fail to astonish a stranger who found her in these strange circumstances. She saw the newcomers long before poor Jordan did, and she watched them approach while the unfortunate artist toiled on at his inglorious task.
Perhaps the girl had seen the three young men together; perhaps it was only feminine quickness of wit which made her jump to the right conclusion.
“I think there are some friends of yours coming this way, Mr. Jordan,” she said, in a voice as refined as her appearance and manner.
Poor Willie started back, stumbling over the rough ground, and presented a very red, moist face to their view.
But they took no notice of him. Stepping genially over the rough mounds, looking beautifully cool and clean and smart and well-dressed beside the besmirched and perspiring Willie, they threw back their heads, half-closed their eyes, and proceeded to criticise the work before them with as much care and conscientiousness as if it had been a painting on the walls of the New Gallery.
“I say, old chap, it really is the best thing you’ve ever done,” began Otto, with kindly admiration.
“By Jove, Jordan, I never thought you could paint before,” added Clifford. “There’s a broad touch, and at the same time a nice feeling for effect, which shows an immense advance on your previous work. You seem, so to speak, to have put all your strength into the work. It does you immense credit—it really does, old chap.”