“Rose-Ann, here at my right hand,” Clive was saying, “Felix, here at my left. I believe that is correct. The Witness will take the remaining seat, opposite me. First of all, we must have a toast.” He rose. “Up with you all! No, Rose-Ann, you sit still—you can’t drink your own health.... Here’s to the bride!”

They lifted their glasses.

“No—wait till I finish my speech.... In defiance of all the laws of nature and of modern realistic fiction, we wish her happiness!... No, that isn’t all I have to say.... We make this wish—at least I do—with an unwonted confidence in its fulfilment. For this is no ordinary marriage, dedicated to the prosaic comforts of a mutual bondage—it is an attempt to realize the sharp new joys of freedom. A marriage, let us say, in name only—for upon Rose-Ann I set my faith, believing that not even a wedding can turn her into a wife!” Rose-Ann looked up at him and smiled. “To Rose-Ann,” he concluded, “and her adventure!”

They drank. Felix looked at the others. He had a sense of something having been outraged by this speech—something which, if only a tradition, was somehow real to all of them except Clive. But Rose-Ann merely looked amused, and Phyllis’s expression told him nothing. He reflected, “She’s used to him by this time.”

A sense of embarrassment remained with him, in spite of the light talk that followed as Clive heaped their plates in turn with roast duck and dressing.

“Why are you so quiet, Felix?” Clive asked at last. “You might at least tell us how it feels to be a bridegroom—whether you feel as depressed as you look.”

“I confess I shall be glad when it’s over,” said Felix.

They laughed, and went on talking. Rose-Ann was apparently enjoying herself. She and Clive were exchanging pleasantries on the subject of “modern marriage.” For some reason the phrase annoyed Felix. Did they know what nonsense they were talking? Or did they really think that his and Rose-Ann’s marriage was to be, as it were, a sociological performance for the benefit of on-lookers?

Presently Rose-Ann was humourously disclaiming “all the credit” for the modernity of the arrangement. Felix, she insisted, was equally entitled to it; he was just as modern as she was!

“Why,” Felix suddenly asked in exasperation, “should we all want to be so damned modern?”