“Felix,” she said, “how many times must we argue that out? If you haven’t any money, I have—not much, but enough to get ourselves started on. And do you want me to let it lie in the bank at Springfield while we do without things we need? You want me to look nice, don’t you? And if I didn’t have a decent dress to go to the theatre with you in, and you could help me get one, you’d want to, wouldn’t you?”
“Do I look so bad as all that?” he asked, looking down at his rather worn blue serge suit.
“You look very nice, Felix,” she said, coming over and kissing him. “But you do need some new clothes, that’s a fact. And really, if you’re going to be a dramatic critic—. As long as we bought our own seats, in the balcony, it was all right to go in our ‘working clothes.’ But I think—”
“Oh, all right!” he said gloomily.
4
Nevertheless, the prospect of evening clothes did not spoil his enjoyment of the play and Rose-Ann. It was a rather silly play, and they bubbled over with amused comments upon it on their way back to the St. Dunstan. “I must remember all these things, and put them into my criticism,” he remarked.
“Why don’t you write it tonight,” she said.
“At the hotel? I haven’t a typewriter, for one thing.”
“But I have mine. Why don’t you say it off to me, and I’ll take it down. Then you’ll have it over with, and we can mail it tonight, and then we can talk as late as we want to, without having to think of getting-up-time in the morning. Now that you’re a dramatic critic, you don’t have to keep such regular working hours.”
Really, it seemed an admirable plan. “But won’t the other people in the hotel object to a typewriter being pounded at this hour of the night?”