His pair of lead horses were walking in much too orderly a fashion for the occasion. Apparently the occasion demanded a little greater show of dash and spirit. Gallagher sunk his spurs into the flanks of his mount and punched its mate in the ribs with the heavy handle of his riding crop.
The leads lunged forward against their collars. The sudden plunge was accompanied by a jangle of chains as the traces tightened. The gun carriage jolted and the cannoneers swore at the unnecessary bouncing.
"Easy, Zigg-Zigg, whoa, Fini." Gallagher pulled on the lines as he shouted in a calculated pitch the French names of his horses. And then the reason for Gallagher's conduct developed.
A pair of wooden shutters on a first floor window of the gate-tender's cottage opened outward. In the window was a lamp. The yellow rays from it shone upward and revealed a tumbled mass of long black hair, black eyes that gleamed, red cheeks and red lips. Then a sweet voice said:
"Gude-bye, Meeky."
"Orry wore, Jeen," replied Gallagher.
"Après la guerre, Meeky," said Jeanne.
"Orry wore, Jeen," repeated Gallagher.
"Oh, Jeanie, dear, please call me 'Meeky,'" sang out one of the men, astride one of the wheel pair of the same gun.
The window had closed, but before the light disappeared, black eyes flashed hate at the jester, and Gallagher, himself, two horses ahead, turned in the saddle and told the taunter to shut his mouth, observing at the same time that "some guys didn't know a decent girl when they saw one."