Fig. 20. Finished Reflector. Hard Plaster on Wire Lath.
Sabine’s Method.—The time of reverberation was determined by Sabine’s method. An organ pipe making approximately 526 vibrations a second was blown for about three seconds and then stopped. An auditor listened to the decreasing sound, and when it died out made a record electrically on a chronograph drum. The time of reverberation was found to be 5.90 seconds, this being the mean of 19 sets of measurements, each of about 20 observations. The reverberation was found also by calculation from Sabine’s equation (see [Section III]), taking the volume of the Auditorium as 11,800 cubic meters and calculating the absorbing power of all the surfaces in the room. This calculation gave 6.4 seconds. The agreement between the two results is as close as could be expected, since neither the intensity of the sound nor the pitch used by the author was the same as those used by Professor Sabine, and both of these factors affect the time of reverberation.
Fig. 21. Parabolic Reflector Showing Its Action on Sound.
Fig. 22. Photograph of Parabolic Reflector.
Several years later the time of reverberation was again determined after certain changes had been made. A thick carpet had been placed on the stage, heavy velour curtains 18 by 32 feet in area hung on the wall at the rear of the stage, a large canvas painting 400 square feet in area was installed, and the glass removed from the skylight in the ceiling. The time of reverberation was reduced to 4.8 seconds. With an audience present this value was reduced still more, and when the hall was crowded at commencement time the reverberation was not troublesome.
Method of Eliminating Echoes.—Although the time of reverberation was reduced to be fairly satisfactory, as just explained, the echoes still persisted, and were very annoying. Attempts were made to reduce individual echoes by hanging cotton flannel on the walls at critical points. Thus the shaded areas in [Fig. 17] were covered and also the entire rear wall in the balcony. Pronounced echoes still remained, and it was evident that some drastic action was necessary to alleviate this condition. Four large canvases, shown in [Figs. 23] and [24], were then hung in the dome in position suggested by the results of the diagnosis. A very decided improvement followed. For the first time the echoes were reduced to a marked degree and speakers on the stage could talk without the usual annoyance. This arrangement eliminated the echoes not only on the stage, but generally all over the house. A number of minor echoes were still left, but the conditions were much improved, especially when a large audience was present to reduce the reverberation.
Proposed Final Cure.—The state of affairs just described is the condition at the time of writing. Two propositions were considered in planning the final cure. One proposition involved a complete remodeling of the interior of the Auditorium. Plans of an interior were drawn in accordance with the results of the experimental work that would probably give satisfactory acoustics. This proposition was not carried out because of the expense and because it was thought desirable to attempt a cure without changing the shape of the room. The latter plan is the one now being followed. It is proposed to replace the present unsightly curtains with materials which will conform to the architectural features of the Auditorium and which will have a pleasing color scheme. At the same time, it will be necessary to hold to the features which have improved the acoustics.