That, at least, was his view of it. He assured me that, before that case came on and was wrangled about by counsel with all sorts of dirty-mindedness that counsel in that sort of case can impute, he had not had the least idea that he was capable of being unfaithful to Leonora. But, in the midst of that tumult—he says that it came suddenly into his head whilst he was in the witness-box—in the midst of those august ceremonies of the law there came suddenly into his mind the recollection of the softness of the girl's body as he had pressed her to him. And, from that moment, that girl appeared desirable to him—and Leonora completely unattractive.
He began to indulge in day-dreams in which he approached the nurse-maid more tactfully and carried the matter much further. Occasionally he thought of other women in terms of wary courtship—or, perhaps, it would be more exact to say that he thought of them in terms of tactful comforting, ending in absorption. That was his own view of the case. He saw himself as the victim of the law. I don't mean to say that he saw himself as a kind of Dreyfus. The law, practically, was quite kind to him. It stated that in its view Captain Ashburnham had been misled by an ill-placed desire to comfort a member of the opposite sex, and it fined him five shilling for his want of tact, or of knowledge of the world. But Edward maintained that it had put ideas into his head.
I don't believe it, though he certainly did. He was twenty-seven then, and his wife was out of sympathy with him—some crash was inevitable. There was between them a momentary rapprochement; but it could not last. It made it, probably, all the worse that, in that particular matter, Leonara had come so very well up to the scratch. For, whilst Edward respected her more and was grateful to her, it made her seem by so much the more cold in other matters that were near his heart—his responsibilities, his career, his tradition. It brought his despair of her up to a point of exasperation—and it riveted on him the idea that he might find some other woman who would give him the moral support that he needed. He wanted to be looked upon as a sort of Lohengrin.
At that time, he says, he went about deliberately looking for some woman who could help him. He found several—for there were quite a number of ladies in his set who were capable of agreeing with this handsome and fine fellow that the duties of a feudal gentleman were feudal. He would have liked to pass his days talking to one or other of these ladies. But there was always an obstacle—if the lady were married there would be a husband who claimed the greater part of her time and attention. If, on the other hand, it were an unmarried girl, he could not see very much of her for fear of compromising her. At that date, you understand, he had not the least idea of seducing any one of these ladies. He wanted only moral support at the hands of some female, because he found men difficult to talk to about ideals. Indeed, I do not believe that he had, at any time, any idea of making any one his mistress. That sounds queer; but I believe it is quite true as a statement of character.
It was, I believe, one of Leonora's priests—a man of the world—who suggested that she should take him to Monte Carlo. He had the idea that what Edward needed, in order to fit him for the society of Leonora, was a touch of irresponsibility. For Edward, at that date, had much the aspect of a prig. I mean that, if he played polo and was an excellent dancer he did the one for the sake of keeping himself fit and the other because it was a social duty to show himself at dances, and, when there, to dance well. He did nothing for fun except what he considered to be his work in life. As the priest saw it, this must for ever estrange him from Leonora—not because Leonora set much store by the joy of life, but because she was out of sympathy with Edward's work. On the other hand, Leonora did like to have a good time, now and then, and, as the priest saw it, if Edward could be got to like having a good time now and then, too, there would be a bond of sympathy between them. It was a good idea, but it worked out wrongly.
It worked out, in fact, in the mistress of the Grand Duke. In anyone less sentimental than Edward that would not have mattered. With Edward it was fatal. For, such was his honourable nature, that for him to enjoy a woman's favours made him feel that she had a bond on him for life. That was the way it worked out in practice. Psychologically it meant that he could not have a mistress without falling violently in love with her. He was a serious person—and in this particular case it was very expensive. The mistress of the Grand Duke—a Spanish dancer of passionate appearance—singled out Edward for her glances at a ball that was held in their common hotel. Edward was tall, handsome, blond and very wealthy as she understood—and Leonora went up to bed early. She did not care for public dances, but she was relieved to see that Edward appeared to be having a good time with several amiable girls. And that was the end of Edward—for the Spanish dancer of passionate appearance wanted one night of him for his beaux yeux. He took her into the dark gardens and, remembering suddenly the girl of the Kilsyte case, he kissed her. He kissed her passionately, violently, with a sudden explosion of the passion that had been bridled all his life—for Leonora was cold, or at any rate, well behaved. La Dolciquita liked this reversion, and he passed the night in her bed.
When the palpitating creature was at last asleep in his arms he discovered that he was madly, was passionately, was overwhelmingly in love with her. It was a passion that had arisen like fire in dry corn. He could think of nothing else; he could live for nothing else. But La Dolciquita was a reasonable creature without an ounce of passion in her. She wanted a certain satisfaction of her appetites and Edward had appealed to her the night before. Now that was done with, and, quite coldly, she said that she wanted money if he was to have any more of her. It was a perfectly reasonable commercial transaction. She did not care two buttons for Edward or for any man and he was asking her to risk a very good situation with the Grand Duke. If Edward could put up sufficient money to serve as a kind of insurance against accident she was ready to like Edward for a time that would be covered, as it were, by the policy. She was getting fifty thousand dollars a year from her Grand Duke; Edward would have to pay a premium of two years' hire for a month of her society. There would not be much risk of the Grand Duke's finding it out and it was not certain that he would give her the keys of the street if he did find out. But there was the risk—a twenty per cent risk, as she figured it out. She talked to Edward as if she had been a solicitor with an estate to sell—perfectly quietly and perfectly coldly without any inflections in her voice. She did not want to be unkind to him; but she could see no reason for being kind to him. She was a virtuous business woman with a mother and two sisters and her own old age to be provided comfortably for. She did not expect more than a five years' further run. She was twenty-four and, as she said: "We Spanish women are horrors at thirty." Edward swore that he would provide for her for life if she would come to him and leave off talking so horribly; but she only shrugged one shoulder slowly and contemptuously. He tried to convince this woman, who, as he saw it, had surrendered to him her virtue, that he regarded it as in any case his duty to provide for her, and to cherish her and even to love her—for life. In return for her sacrifice he would do that. In return, again, for his honourable love she would listen for ever to the accounts of his estate. That was how he figured it out.
She shrugged the same shoulder with the same gesture and held out her left hand with the elbow at her side:
"Enfin, mon ami," she said, "put in this hand the price of that tiara at Forli's or..." And she turned her back on him.
Edward went mad; his world stood on its head; the palms in front of the blue sea danced grotesque dances. You see, he believed in the virtue, tenderness and moral support of women. He wanted more than anything to argue with La Dolciquita; to retire with her to an island and point out to her the damnation of her point of view and how salvation can only be found in true love and the feudal system. She had once been his mistress, he reflected, and by all the moral laws she ought to have gone on being his mistress or at the very least his sympathetic confidante. But her rooms were closed to him; she did not appear in the hotel. Nothing: blank silence. To break that down he had to have twenty thousand pounds. You have heard what happened.