Heroines of the Modern Stage

by Forrest Izard

BIBLIOGRAPHY

Of the large number of books that deal, exclusively or incidentally, with theatrical biography, the following may be named as especially readable, and as offering further reading in the field covered by the present volume:

Anderson, Mary, A Few Memories, New York, 1896.

Archer, William, The Theatrical World, 5 vols. London, 1893–97.

Baker, Henry Barton, Our Old Actors, 2 vols. London, 1878.

Bernhardt, Sarah, Memories of My Life, New York, 1907.

Clapp, Henry Austin, Reminiscences of a Dramatic Critic, Boston, 1902.

Clapp, John Bouvé, and Edwin Francis Edgett, Players of the Present, 3 parts. (In Dunlap Society Publications.) New York, 1899–1901.

Cook, Dutton, Hours with the Players, 2 vols. London, 1881.

Doran, John, Annals of the English Stage, London, 1888. 3 vols. (Edited and revised by Robert W. Lowe.)

Eaton, Walter Prichard, At the New Theatre and Others, Boston, 1910.

Faxon, Frederick W. (Editor), The Dramatic Index; (An Annual Index of Books and Magazine Articles.) Boston, 1908–

Fyvie, John, Comedy Queens of the Georgian Era, New York, 1907.

Fyvie, John, Tragedy Queens of the Georgian Era, New York, 1909.

Huret, Jules, Sarah Bernhardt (Translated by G. A. Raper), London, 1899.

Huret, Jules, Loges et Coulisses, Paris, 1901.

Mapes, Victor, Duse and the French, New York, 1899. (In Dunlap Society Publications.)

Matthews, Brander, & Laurence Hutton (Editors), Actors and Actresses of Great Britain and the United States, 5 vols. New York, 1886.

McKay, Frederic E., & Charles E. L. Wingate (Editors), Famous American Actors of To-day, 2 vols. New York, 1896.

McLeod, Addison, Plays and Players in Modern Italy, London, 1912.

Modjeska, Helena, Memories and Impressions, New York, 1910.

Robins, Edward, Echoes of the Playhouse, New York, 1895.

Robins, Edward, Twelve Great Actresses, New York, 1900.

Ruhl, Arthur, Second Nights, New York, 1914.

Scott, Clement, Ellen Terry, New York, 1900.

Shaw, George Bernard, Dramatic Opinions and Essays, 2 vols. New York, 1906.

Simpson, Harold, & Mrs. Charles Braun, A Century of Famous Actresses, London, 1913.

Strang, Lewis C., Famous Actresses of the Day in America, 2 series. Boston, 1899, 1902.

Strang, Lewis C., Players and Plays of the Last Quarter Century, 2 vols. Boston, 1903.

Symons, Arthur, Plays, Acting and Music, London, 1903.

Terry, Ellen, The Story of My Life, New York, 1908.

Walkley, A. B., Playhouse Impressions, London, 1892.

Winter, William, Other Days, New York, 1908.

Winter, William, Shakespeare on the Stage, 2 series. New York, 1911, 1915.

Winter, William, The Wallet of Time, 2 vols. New York, 1913.

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INDEX

• Abbey, Henry E., [26], [29] note, [246], [247].
• Abington, Frances, [iii].
• Adams, Annie, [325].
• Adams, Maude, [324–46];
• parentage and birth, [325];
• career as a child actress, [325–29];
• goes to New York, [329];
• with E. H. Sothern, [330];
• A Midnight Bell, [331];
• in Charles Frohman’s company, [331–2];
• John Drew’s leading woman, [332–34];
• becomes a “star,” [334];
• The Little Minister, [335];
• Romeo and Juliet, [336];
• L’Aiglon, [337];
• Peter Pan, [338–9];
• What Every Woman Knows, [339–40];
• Chanticler, [340–41];
• The Maid of Orleans, [341–2];
• Miss Adams and Barrie, [342];
• her personality, [343–6];
• her repertoire, [333] (note), [335] (note); [347].
• Agar, Marie, [13].
• Aguglia, Mimi, [366].
• Aiglon, L’, [337].
• Aldrich, Mildred, [271] (note).
• Alexander, George, [376].
• Alexandra, Queen, [49].
• Allen, Viola, [362] (note).
• Allgood, Sara, [366].
• Alma-Tadema, Laurence, [87], [248].
• Ambigu, The, [129–30].
• Anderson, Mary, [230–264];
• parentage, [230];
• birth, [231];
• girlhood and schooling, [232–35];
• decides on a stage career, [236];
• first appearance, [237];
• early trials, [239–40];
• acts in eastern cities, [242];
• goes abroad, [244];
• her repertoire, [245] (note);
• acts in London, [246–7];
• her friendships, [248];
• a London ovation, [252];
• distaste for the theater, [256–7];
• last appearance on the stage, [268–9];
• marriage, [260];
• her acting, [261–2];
• her personality, [262–3]; [269] (note).
• Angelo, Mlle., [133].
• Anglin, Margaret, [354–6].
• Antoine, André, [153].
• Archer, William, [157], [184] (note), [202], [221] and note, [283].
• Arliss, George, [286].
• Arnold, Matthew, [45] (note).
• Arthur, Julia, [362] (note).
• Asquith, Herbert, [318].
• Augier, Emile, [139], [150].
• Baker, George Pierce, [265].
• Bancroft, Squire B., [109], [111], [376].
• Barrett, Lawrence, [208], [242], [247].
• Barrie, James M., [334], [342].
• Barron Charles, [308].
• Barry, Elizabeth, [iii].
• Barrymore, Ethel, [350–53].
• Barrymore, Maurice, [286], [350].
• Bartet, Jeanne, [149], [180] (note).
• Bates, Blanche, [362] (note).
• Beauplan, Victor, [136].
• Beauregard, General, [240].
• Becky Sharp, [285].
• Belasco, David, [327–8].
• Bennett, Arnold, [166], [168].
• Bernhardt, Maurice, [13] note, [32] note, [34].
• Bernhardt Sarah, [iv], [3–51];
• birth, [5];
• schooling, [6–7];
• at the Conservatoire, [8–9];
• her motto, [9];
• début at the Comédie Française, [10];
• at the Odéon, [11–16];
• hospital services during War of 1870, [13];
• returns to the Comédie, [16];
• eccentricities, [19];
• her sculpture, [19], [22];
• acts in London, [20–23];
• leaves the Comédie, [24];
• first American appearance, [28];
• marriage, [31];
• world-wide tours, [32];
• becomes a manager, [33];
• the “Marie Colombier” and Mme. Noirmont scandals, [34];
• the Memoirs, [35];
• her art, [36–41], [44–46];
• fêtes in her honor, [41], [43];
• Sarah the worker, [4], [42];
• professor at the Conservatoire, [43];
• admitted to Legion of Honor, [43];
• loses her leg, [47];
• repertoire, [12], [18], [28], [33] (notes); [160], [171], [175], [183], [184] (note), [186–92], [199], [201], [224], [226], [244].
• Berton, Pierre, [133] (note), [151].
• Bertrand, Eugène, [151].
• Besnard, Paul, [169].
• Betterton, Mrs., [iii].
• Bingham, Amelia, [362] (note).
• Black, William, [248].
• Bloodgood, Clara, [362] (note).
• Bonnetain, Paul, [34] (note).
• Booth, Edwin, [77] and note, [208], [234], [240], [242], [247], [347].
• Boucicault, Dion, [242].
• Bracegirdle, Anne, [iii], [373], [375] and note.
• Brady, William A., [359].
• Brand, Thomas, [369].
• Brandes, George, [87].
• Brougham, John, [208].
• Browning, Robert, [248].
• Burke, Billie, [351].
• Burne-Jones, Edward, [87].
• Byron, Arthur, [205] (note).
• Byron, Oliver Doud, [205].
• Campbell, Mrs. Patrick, [366].
• Captain Brassbound’s Conversion, [121–122].
• Carew, James, [123] (note).
• Carter, Mrs. Leslie, [362] (note).
• Carré, Albert, [138].
• Caruso, Enrico, [123].
• Cayvan, Georgia, [89] (note).
• Chanticler, [340].
• Charpentier, Gustave, [41].
• Chartran, T., [169].
• Chartres, Mme. Vivanti, [194] (note).
• Chaumont, Céline, [160].
• Cheatham, Kitty, [214].
• Checchi, Signor, [175].
• Chetwood, Wm., [371] (note).
• Chilly, M., [11], [12].
• Chlapowski, Count Karol Bozenta, [67], [69], [72], [75], [76], [79], 82–3 (note), [90] (note).
• Coghlan, Charles, [109], [111].
• Coghlan, Rose, [362] (note).
• Coleman, Mrs. Edw., [370] (note).
• Collins, Wilkie, [248].
• Colombier, Marie, [34].
• Comédie Française, profit-sharing system, [20] (note);
• see Bernhardt and Réjane.
• Conquest, Ida, [362] (note).
• Cook, Dutton, [96–7], [99].
• Coppée, François, [41], [42].
• Coquelin, B.-C., [23], [41], [193].
• Corbin, John, [45], [314].
• Corey, Mrs., [370].
• Cowl, Jane, [362], [365].
• Crabtree, Lotta, [228].
• Craig, Ailsa, [106].
• Craig, Gordon, [106], [121].
• Crehan, Kate, [205] and note.
• Crews, Laura Hope, [359], [360–1].
• Crosman, Henrietta, [362].
• Crosnier, Mme., [153].
• Cushman, Charlotte, [iv], [235], [239] (note), [347].
• Daly, Arnold, [350].
• Daly, Augustin, [207], [208], 214–15 and note, [219–20], [222–27].
• Daly’s Theatre, London, [223].
• Damala, M., [31].
• d’Annunzio, Gabriel, [197], [276].
• d’Aurevilly, B., [150].
• D’Avenant, William, [370] and note, [371].
• Davenport, Mrs., [370].
• Davenport, E. L., [270].
• Davenport, Fanny, [208].
• Davey, Thomas, [267].
• David, Félicien, [132].
• Davies, Acton, [328], [336] (note).
• Dean, Frederic, [344] (note).
• de Banville, Theodore, [36].
• Defère, M., [150].
• de Lesseps, F., [20] (note).
• de Navarro, Antonio F., [260].
• de Reszke, Eduard, [89].
• de Reszke, Jan, [89].
• de Saint-Victor, Paul, [17].
• Deschanel, Paul, [49].
• Desclée, Aimée Olympe, [137] and note, [222] (note).
• Devrient, Fritz, [58].
• Dillingham, C. B., [313].
• Doll’s House, A, [280].
• Doran, Dr. John, [368].
• Dornis, Jean, [174] (note).
• Doro, Marie, [351].
• Doucet, C., [9] (note).
• Dow, Ada (Mrs. Currier), [301], [302] and note, [306].
• Drew, John, [206], [214], [226], [332–4], [350].
• Drew, Mrs. John, [204] (note), [206].
• Drew-Barrymore, Georgie, [350] (note).
• Dumas, Alexandre, fils, [175–7], [185], [188–9].
• Dumas, Alexandre, père, [13] (note).
• Dunn, Emma, [362], [365].
• Duquesnel, M., [11], [16], [142], [143].
• Duse, Eleonora, [iv], [123], [171–202];
• birth, [171];
• family, [172];
• childhood, [173–4];
• first important appearances, [174], [175];
• marriage, [175];
• Duse and Dumas, [176];
• foreign appearances, [177–8];
• acts in America, [178], [183];
• her art, [179–81], [199–202];
• acts in London, [183];
• acts in Paris, [184–93];
• the Dumas memorial performance, [188–9];
• her personality, [194–6];
• the d’Annuzio alliance, [197];
• her repertoire, [182] (note), [197] (note); [265] (note).
• Eaton, Walter Prichard, [280], [352], [355], [361].
• Eberle, Robert, [344] (note).
• Echegaray, Jose, [276].
• Edison, Thomas A., [29].
• Elliott, Gertrude, [366].
• Elliott, Maxine, [362] (note).
• Emmet, J. K., [270], [326].
• Easier, Jane, [129].
• Eugénie, former Empress, [49].
• Faversham, William, [336], [350].
• Fenwick, Irene, [363], [365].
• Ferguson, Elsie, [302], [364].
• Field, Eugene, [87].
• Filon, Augustin, [156] and note, [159].
• Fiske, Harrison Grey, [269], [289–90], [292].
• Fiske, Mrs. Minnie Maddern, [181] (note); [265–298];
• speaks at Harvard, [265];
• her significance, [266];
• parentage, [267];
• birth, [268];
• career as a child actress, [268–71];
• marriage and retirement, [272];
• Mrs. Fiske and the modern spirit, [273];
• her repertoire, [270] (note), [274] (note);
• her art, [275–87];
• encouragement of native-made drama, [288–9];
• Mr. Fiske’s share, [289–90];
• the theatrical syndicate, [290–1];
• as a stage director, [291];
• as a playwright, [292];
• outside interests, [293];
• her personality, [294–6]; [357].
• Forbes, Mary, [366].
• Forbes-Robertson, J., [255], [376].
• Frohman, Charles, [313], [331–2], [350].
• Frohman, Daniel, [330].
• Fulda, Ludwig, [276].
• Fyvie, John, [373] and (note).
• Garden, Mary, [279].
• Genée, Adeline, [123].
• George, Grace, [359–60].
• Gilbert, Mrs. James, [214], [226].
• Gilbert, W. S., [248], [255], [262].
• Gilder, Richard Watson, [87].
• Gillette, William, [350].
• Gladstone, Wm. E., [248].
• Glendinning, Ernest, [350].
• Gosse, Edmund, [248].
• Got, François, [20], [27], [187].
• Grant, General U. S., [87], [241].
• Griffin, Dr. Hamilton, [232], [236], [237].
• Griffith, Frank Carlos, [269] (note), [271] (note), [293] (note), [295] (note), [296] (note).
• Grille-d’Egout, Mlle., [154].
• Gwynn, Nell, [370].
• Hackett, James K., [336], [350].
• Hale, Philip, [49].
• Halévy, L., [155], [187].
• Harancourt, Edmond, [42].
• Hare, John, [111], [376].
• Harned, Virginia, [330], [362] (note).
• Hedda Gabler, [279], [280].
• Hedman, Martha, [356], [362], [365].
• Herne, James A., [327–8].
• Hichens, Robert, [260].
• High Road, The, [289].
• Hill, Barton, [80] and note.
• Hollis Street Theatre, Boston, [225] (note), [309].
• Hood, General, [240].
• Howells, William Dean, [284], [314] (note).
• Hughes, Margaret, [370].
• Hugo, Victor, [14] and note, [249].
• Huneker, James, [357].
• Huret, Jules, [7] (note), [128] (note), [143], [153], [168], [169], [192].
• Hyde, James Hazen, [165].
• Ibsen, Henrik, [273], [276–7], [279–81], [357].
• Illington, Margaret, [362], [363].
• Ingersoll, Robert G., [306–7], and note.
• Irish national theatre, [103].
• Irving, Henry, [105], [112–3], [115], [117], [118], [120], [215] (note), [247], [351], [376].
• Irving, Isabel, [214], [362] (note).
• Irwin, May, [362] (note).
• James, Henry, [21].
• Janauschek, Francesca, [v], [347].
• Janis, Elsie, [49] (note).
• Jefferson, Joseph, [242], [270].
• Johnson, Samuel, 373–4 and note.
• Jones, Henry Arthur, [273].
• Jordan, Dorothy, [iii].
• Jordan, Thomas, [370], [371] (note).
• Jourdain, Frantz, [132].
• Kalich, Bertha, [356], [366].
• Kean, Charles, [95], [97], [101].
• Keane, Doris, [362], [365].
• Keene, Laura, [270].
• Kelly, Charles; see Wardell.
• Kelm, Joseph, [132].
• Kemble, Frances Ann, [iv], [256].
• Kester, Paul, [292].
• Killigrew, Thomas, [370], [371].
• Kiskadden, James, [325].
• Knipp, Mrs., [370].
• L’Aiglon, [337].
• Laurent, Marie, [129].
• Lavedan, Henri, [41].
• Leah Kleschna, [287].
• Legault, Mlle., [135].
• Legend of Leonora, The, [343].
• Legouvé, Ernest, [136].
• Lemaître, Frédérick, [129].
• Lemaître, Jules, [36], [41], [50], [155], [187].
• Levick, Milnes, [237].
• Lewis, James, [214], [226].
• Little Minister, The, [334–5].
• Long, John Luther, [288], [298].
• Longfellow, Henry Wadsworth, [87–88], [242].
• Lowell, James Russell, [87], [248], [249], [255].
• Lyceum Theatre, [113–114].
• Lynch, Arthur, [210], [218] (note).
• Lytton, Lord, [248].
• Macauley’s Theatre, Louisville, [207].
• McCarthy, Justin H., [87].
• McCarthy, Lillah, [356], [366].
• McCracken, Elizabeth, [321], [323].
• McCullough, John, [79–80], [81] (note), [208], [236], [247], [270].
• MacKaye, Percy, [124] (note).
• McLellan, C. M. S., [215] (note), [288], [308].
• Macready, William C., [98] (note).
• McWade, Robert, [301].
• Madame Sans-Gêne, [155–6], [158], [160], [162] and note.
• Maeterlinck, Maurice, [277].
• Magnus, Baron, [27].
• Maid of Orleans, The, [341].
• Manchester Players, The, [103].
• Man of Destiny, The, [122].
• Mannering, Mary, [362] (note).
• Mansfield, Richard, [225] (note).
• Mantell, Robert, [350].
• Mapes, Victor, [189] (note).
• Marlowe, Julia, [89] (note), [299–323];
• birth, [299], [305] (note);
• girlhood, [300];
• first appearances, [300];
• course of training, [302–4];
• returns to stage, [305];
• early uncertainties, [306–8];
• first triumph, [309];
• marriage to Robert Taber, [311];
• repertoire, [311] (note);
• the Julia Marlowe Taber period, [311–3];
• the period of the commercial plays, [313–6];
• the “Sothern and Marlowe” period, [316–21];
• acts in London, [318];
• at the New Theatre, [319];
• her personality, [321–3]; [347].
• Marshall, Anne, [370].
• Martin, Frederick Roy, [164].
• Mary of Magdala, [287].
• Matthison, Edith Wynne, [356], [358–9].
• Maurice, Paul, [15] (note).
• Maxwell, Perriton, [330] (notes).
• Mayer, Gaston, [168] (note).
• Meilhac, Henri, [137], [153], [170].
• Mendès, Catulle, [38] (note), [42], [187].
• Mendès, Catulle, Mme. Jane, [47].
• Meunier, Dauphin, [126], [140], [154], [155].
• Mid-Channel, [352].
• Miles, Robt. E. J., [301], [305].
• Miller, Henry, [350].
• Mitchell, Langdon, [285].
• Modjeska, Helena, [52–92];
• birth, [52];
• childhood, [52–58];
• marriage, [59];
• first appearance, [60];
• life as a strolling player, [61];
• joins company at Lemberg, [63];
• in stock company at Czerniowce, [63];
• in company of Cracow theatre, [64–69];
• goes to Imperial Theatre at Warsaw, [70];
• goes to America, [76];
• the farming experiment in California, [78];
• first appearance in America, [81];
• repertoire, [82] (note);
• her personality, [83];
• her art [85–87];
• her friendships, [87];
• her address at the Chicago Exposition, [89];
• testimonial of 1905, [90];
• death, [92]; [347].
• Modrzejewski, Gustave, [56], [57], [59], [61], [64].
• Mohun, Lord, [373].
• Morris, Clara, [89] (note), [242], [362] (note).
• Mountford, William, [373].
• Naptal-Arnault, Mme., [128] (note).
• Nazimova, Alla, [356–8].
• Neilson, Adelaide, [v], [208], [219].
• Neilson, Julia, [94] (note).
• Neilson-Terry, Phyllis, [94] (note), [366].
• Newman, Cardinal, [248].
• New Theatre, The, [124] (note), [316], [319], [359].
• New York Idea, The, 283–284 (note).
• Noirmont, Mme., [35].
• Offenbach, J., [145].
• Oldfield, Anne, [iii].
• Olivia, [111–2].
• O’Neil, Nance, [358], [362].
• O’Neill, James, [292].
• Orleneff, Paul, [356].
• Owen, William, [308].
• Paderewski, Ignace J., [88], [90], [91] (note).
• Page, Adèle, [129].
• Parker, H. T., [279], [280].
• Parker, Louis N., [334].
• Peabody, Josephine Preston, [124] (note).
• Pepys, Samuel, [370], [371].
• Perrin, Emile, [17], [19], [22], [24], [27].
• Peter Pan, [338–9].
• Pillars of Society, [279], [282].
• Pinero, A. W., [273], [276], [376].
• Poincairé, Raymond, [43].
• Porel, D. P., [152], [166].
• Power, Tyrone, [286], [287].
• Prince of Wales’s Theatre, [109].
• Princess’s Theatre, [95].
• Provost, Jean, [9] (note).
• Prynne, William, [369].
• Rachel (Rachel Felix), [iv], [45] (note), [150].
• Raymond, John T., [208].
• Reade, Charles, [104], [108], [116].
• Reed, Florence, [363], [365].
• Regnier, F. J., [9] (note), [133], [134], [135] and note, [136], [138], [140], [144], [145–9], [150], [151], [161].
• Rehan, Ada, [iii], [203–229];
• birth, [204];
• brought to America, [204];
• her family, [205];
• first appearance, [205];
• in various companies, [206–209];
• joins Augustin Daly, [209];
• her repertoire, [208] (note), [217] (note);
• her personality, [210–13];
• the Daly Company, [214];
• her acting, [217–21], [226];
• first plays in London, [221];
• becomes a “star,” [224];
• her last appearances, [227–8]; [347].
• Reicher, Hedwig, [356], [366].
• Réjane, Gabrielle, [126–170];
• birth, [128];
• childhood, [128–131];
• at school, [131–133];
• enters the Conservatoire, [133];
• first public appearance, [138];
• joins the Vaudeville, [142];
• repertoire, 143–4 (note);
• correspondence with Regnier, [145–9];
• informal appearances, [150];
• joins the Variétés, [151];
• a typical first night, [152];
• Madame Sans-Gêne, [165];
• her personality, [126], [156], [168–70];
• her art, [158–160];
• appearances outside France, [160–1], [167];
• the American tours, [161];
• the Havana fiasco, [163–4];
• the Hyde dinner, [165];
• marriage, [166];
• the Théâtre Réjane, [166–7]; [291].
• Richepin, Jean, [34] (note), [35].
• Richman, Charles, [228].
• Riley, Josephine, [301].
• Ristori, Adelaide, [iv], [200], [244].
• Robinson, Mary, [iv].
• Robson, Eleanor, [362] (note).
• Rochefort, Henri, [187].
• Rosemary, [334].
• Rosmersholm, [281].
• Rossi, Cesare, [175].
• Rostand, Edmond, [3], [4] (note), [41], [42], [43], [49], [189].
• Ruhl, Arthur, [357].
• Russell, Annie, [362].
• Russell, Hattie (Harriet Crehan), [205] (note).
• Salvation Nell, [279], [288].
• Salvini, Tommaso, [183], [200].
• Samson, Joseph, [9] (note).
• Sand, George, [13].
• Sarcey, Francisque, [10] (note), [15], [17], [25], [36], [137], [140], [144], [150], [154], [155], [177], [187], [190], [192].
• Sardou, Victorien, [25] (note), [41], [150], [155], [162], [223].
• Saunderson, Mrs., [370].
• Scott, Clement, [94], [106], [111], [112], [114], [221], [222] (note).
• Scott, Sir Walter, [93].
• Sembrich, Marcella, [91] (note).
• Shannon, Effie, [362] (note).
• Shaw, George Bernard, [iii], [38], [113–4], [115], [117], [120], [121], [199], [225–7], [273].
• Shaw, Mary, [308], [362] (note).
• Sheldon, Edward, [288].
• Sherman, General Wm. T., [87], [241].
• Siddons, Sarah, [iv], [374].
• Sienkiewicz, Henryk, [75], [81].
• Simon, Charles, [133].
• Skinner, Otis, [226], [227], [350].
• Sothern, E. A., [103], [118].
• Sothern, E. H., [265], [316–20], [330], [350].
• Stahl, Rose, [362].
• Starr, Frances, [362], [365].
• Stedman, E. C., [91], [92].
• Stevens, Emily, [362], [364].
• Stinson, Fred, [308], [312].
• Stoddard, Lorimer, [284].
• Sudermann, Hermann, [276].
• Symons, Arthur, [159], [194], [318].
• Synge, John M., [iii].
• Taber, Robert, [308], [311–2], [313] (note).
• Tarasiewicz, Michael, [92].
• Taylor, Laurette, [362], [366].
• Tellegen, Lou, [350].
• Tempest, Marie, [366].
• Tennyson, Lord, [87], [223], [248], [256].
• Terry, Beatrice, [94] (note).
• Terry, Benjamin, [93], [94], [95], [96].
• Terry, Charles, [94] and note.
• Terry, Ellen, [iii], [93–125];
• parentage, [93];
• family, [94–5];
• birth, [94];
• early training, [96], [99–100];
• first appearance, [96–8];
• a strolling player, [101];
• Atar-Gull, [102];
• at Bristol, [102–3];
• with the elder Sothern, [103];
• marriage and retirement, [103–4];
• returns to stage, [104];
• acts first with Irving, [105];
• second retirement, [106–8];
• returns to stage, [109];
• with S. B. Bancroft, [109–11];
• first plays Portia, [109];
• with John Hare, [111–12];
• Olivia, [111];
• becomes leading woman at the Lyceum, [112];
• the Irving régime, [113];
• her personality, [114], [118], [121];
• Bernard Shaw’s estimate, [113], [115], [117], [120];
• her art, [116];
• leaves Irving’s company, [121];
• the Terry Jubilee, [122];
• a lecturer on Shakespeare, [123–4];
• repertoire, [119] (note); [247].
• Terry, Florence, [94], [95].
• Terry, Fred, [94] and note.
• Terry, George, [94] (note).
• Terry, Kate, [94], [95], [101], [102].
• Terry, Marion, [94], [95].
• Terry, Minnie, [94] (note).
• Tess of the D’Urbervilles, [284].
• Theuriet, André, [41], [42].
• Thierry, Edward, [135].
• Thomas, Ambroise, [136].
• Thompson, Vance, [157].
• Tilden, Samuel J., [244] (note).
• Tree, H. Beerbohm, [318], [376].
• Vandenhoff, George, [236].
• Varrey, Charles, [20] (note).
• Verbruggen, Mrs., [iii].
• Victoria, Queen, of Spain, [49].
• von Bülow, Hans, [87].
• Walkley, A. B., [318], [319] (note).
• Wallack, Lester, [355].
• Walsh, Blanche, [362] (note).
• Ward, Mrs. Humphrey, [248].
• Wardell, Charles, [106], [123] (note).
• Ware, Helen, [362], [365].
• Warfield, David, [350].
• Watterson, Henry, [87], [232] (note), [238] (note), [244] (note).
• Watts, George Frederick, [87], [103–4], [248].
• Western, Lucille, [270].
• White, LeGrand, [272] (note).
• Wilde, Oscar, [157], [273].
• Wills, W. G., [112].
• Wilson, Francis, [265].
• Winter, William, [3], [26], [35], [37], [38], [44], [46], [85], [90] (note), [123], [165], [211], [212], [220] and note, [228], [238] (note), [242], [247], [251], [261], [313] (note), [315], [335], [338] and note, [340], [347].
• Woffington, Margaret, [iii].
• Worthing, Frank, [360].
• Wyndham, Charles, [376].
• Young, Mary, [214] (note).
• Zimmern, Helen, [196] (note).

FOOTNOTES

[1] See [Appendix]: The First English Actresses, and The Change in the Actor’s Social Status.

[2] For the lives of actresses of earlier days the reader is referred to the [bibliography] at the end of the volume. The outstanding names are: Elizabeth Barry, 1658–1713; Anne Bracegirdle, 1663–1748; Anne Oldfield, 1683–1730; Catherine Clive, 1711–1785; Hannah Pritchard, 1711–1768; Susannah Maria Cibber, 1714–1766; Margaret Woffington, 1720–1760; Mary Porter—d. 1765; George Anne Bellamy, 1731–1788; Frances Abington, 1737–1815; Sarah Siddons, 1755–1831; Mary Robinson (“Perdita”) 1758–1800; Dorothy Jordan, 1762–1816; Frances Anne Kemble, 1809–1893; Charlotte Cushman, 1816–1876; Helena Faucit, 1817–1898; Rachel Felix, 1821–1858; Adelaide Ristori, 1822–1906; Francesca Janauscheck, 1830–1904; Adelaide Neilson, 1846 (?)-1880.