Chapter Seven
The return of a woman once married to a home under her father’s roof is always a tragic episode. It implies death or disaster, and means the giving up of the prestige and independence a woman is supposed to attain by marriage. It may be the most sordid or the most dignified of tragedies that brings her back. Nevertheless it is a tragedy, and almost invariably has its sordid aspects, because it is oftenest poverty, to the accompaniment of divorce or death, which leads her, wounded and smarting and hungering, to that last remaining refuge, her father’s house.
To Elizabeth Darrell, on the gloomy October day when she reached Washington from England, it seemed as if all the cruel reasons which ever brought a woman to such a pass existed in her case. She pondered over all the sources of her unhappiness with that curious passion for the analysis of their own misfortunes which is peculiar to women and poets. Her general and specific quarrel against fate had not been absent for a moment from her memory since she first undertook that long journey overseas. As every hour brought her nearer to her old home, the pain and the apprehension of pain increased. One mitigation she had hoped for, the sight of her father’s kind, handsome old face as soon as she reached Washington; his courtly placing of his hand within her own; his valiant pretence that her home-coming was a happy one. But her despatch on leaving the steamer had not arrived in time, and when she reached the station there was no one to meet her.
It was a cool, damp autumn afternoon; a fine rain was falling and a general air of misery brooded over everything. With that dazed intelligence about places which were once well known but are now half forgotten, Elizabeth watched the streets and squares through which her cab rolled. She was forced to observe that Washington had become a fine city in the ten years since she had seen it. But as she was accustomed to the crowded thoroughfares of foreign cities, the quiet streets seemed to her dreary and deserted beyond expression. Was everybody dead in those silent, handsome houses? The cab stopped at last before the tall, plain house, quite far out in the northwest, in which Elizabeth had passed the beautiful though happy-go-lucky days of her girlhood. The finer residences were crowding the poor house in an unseemly manner. Elizabeth remembered it as surrounded by vacant lots, tenanted only by real estate agents’ signs. Now the region was well and handsomely built up. The house, commonplace and shabby, looked still more commonplace and shabby from its fashionable surroundings. It was near the end of the square, where the smaller street debouched into a splendid avenue. On the corner was a fine white stone house, with an entrance on the avenue and a porte-cochère on the side street.
It made Elizabeth Darrell feel more of a forlorn stranger than ever when she saw the new luxury that surrounded her father’s poor old house. She descended from the cab and with a faltering hand rang the bell. Her ring was answered by a negro woman, stout, elderly, and decent, but far removed from the smart English maids and native Indian servants to whom Elizabeth had been long accustomed. However, so strong is early habitude that the sight of this honest black face gave Elizabeth the first sentiment of home she had felt since her widowhood. In that black face was a doglike softness and kindness, and in the voice a compassionate yet deprecatory quality, which is not heard often in any but an African voice.
“You is Mis’ ‘Lisbeth,” she said kindly, holding the door wide. “De Gin’l, he ear’n lookin’ fer you ’twell to-morrer—but come right in heah.”
There were signs of preparation within, but the room designed for Elizabeth—the best bedroom in the house—was not ready. Serena—for so she informed Elizabeth was her name—was full of humble, soft apologies.
“De Gin’l will be mighty worried dat he war’n home when you come; he was countin’ on meckin’ you mighty comfortable.”