Poor Rhoda!

For ten years, that is to say for more than half her life, Algernon Errington had been an idol, a hero, to her. From the first day when, peeping from behind the parlour door, she had beheld the strangers enter—Mrs. Errington, majestic, in a huge hat and plume, such as young readers may have seen in obsolete fashion books (the mode was so absurd fifty years ago, and had none of that simple elegance which distinguishes your costume, my dear young lady), and Algy, a lovely fair child, in a black velvet suit and falling collar—from that moment the boy had been a radiant apparition in her imagination. How small, and poor, and shabby she felt, as she peeped out of the parlour at that beautiful, blooming mother and son! Not poor and shabby in a milliner's sense of the word, but literally of no account, or beauty, or value, in the world, little shy motherless thing! She had an intense delight in beauty, this Whitford grocer's daughter. And all her little life the craving for beauty in her had been starved: not wilfully, but because the very conception of such food as would wholesomely have fed it, was wanting in the people with whom she lived.

That was a great day when she first, by chance, attracted Mrs. Errington's notice. She was too timid and too simple to scheme for that end, as many children would have done, although she tremblingly desired it. What a surprisingly splendid sight was the tortoise-shell work-box, full of amber satin and silver! What a delightful revelation the sound of the old harpsichord, touched by Mrs. Errington's plump white fingers! What a perennial source of wonder and admiration were that lady's accomplishments, and condescension, and kind soft voice!

As to Algernon, there never was such a clever and brilliant little boy. At eight years old he could sing little songs to his mother's accompaniment, in the sweetest piping voice. He could recite little verses. He even drew quite so that you could tell—or Rhoda could—his trees, houses, and men from one another.

In all the stories his mother told about the greatness of her family, and in all the descriptions she gave of her ancestral home in Warwickshire, Rhoda's imagination put in the boy as the central figure of the piece. She could see him in the great hall hung round with armour; although she knew that he had never been in the family mansion in his life; in the grand drawing-room, with its purple carpet and gilt furniture; above all, in the long portrait gallery, of which Rhoda was never tired of hearing. Heaven knows how she, innocently, and Mrs. Errington, exercising her hereditary talent, embellished and transformed the old brick house in its deer park; or what enchanted landscapes the child at all events conjured up, among the gentle slopes and tufted woods of Warwickshire!

Even the period of hobbledehoydom, fatal to beauty, to grace, almost to civilised humanity in most schoolboys, Algernon passed through triumphantly. He had a great sense of humour, and fastidious pampered habits of mind and body, which enabled him to look down with more or less disdain—a good-humoured disdain, always, Algy was never bitter—upon the obstreperous youth at the Whitford Grammar School.

One fight he had. He was forced into it by circumstances, against his will. Not that he was a coward, but he had a greater, and more candidly expressed regard for the ease and comfort of his body, than his schoolfellows conceived to be compatible with pluck. However, our young friend, if less stoical, was a great deal cleverer than the majority of his peers; and perceiving that the moment had arrived when he must either fight or lose caste altogether, he frankly accepted the former alternative. He fought a boy bigger and heavier than himself, got beaten (not severely, but fairly well beaten) and bore his defeat—in the dialect of his compeers, "took his licking"—admirably. He was quite as popular afterwards, as if he had thrashed his adversary, who was a loutish boy, the cock of the school, as to strength. Had he bruised his way to the perilous glory of being cock of the school himself, it would have behoved him to maintain it against all comers; which is an anxious and harassing position. Algy had not vanquished the victor, but he had "taken his licking like a trump," and, on the whole, may be said to have achieved his reputation, at the smallest cost possible under the circumstances.

His mother and Rhoda almost shrieked at beholding his bruised cheek, and bleeding lip, when he came home one half-holiday, from the field of battle. Algy laughed as well as his swollen features would let him, and calmed their feminine apprehensions. Nor would he accept his fond parent's enthusiastic praise of his heroism, mingled with denunciations of "that murderous young ruffian, Master Mannit."

"Pooh, ma'am," said the hero, "it's all brutal and low enough. We bumped and thumped each other as awkwardly as possible. I fought because I was obliged. And I didn't like it, and I shan't fight again if I can help it. It is so stupid!"

The young fellow's great charm was to be unaffected. Even his fine-gentlemanism sat quite easily on him, and was displayed with the frankest good humour. Some one reproached him once with being more nice than wise. "We can't all be wise, but we needn't be nasty!" returned Algy, with quaint gravity. His temper was, as Minnie Bodkin had said, nearly perfect. He had a singular knack of disarming anger or hostility. You could not laugh Algernon out of any course he had set his heart upon—a rare kind of strength at his age—but it was ten to one he would laugh you into agreeing with him. Every one of his little gifts and accomplishments was worth twice as much in him as it would have been in clumsier hands.