Altogether Rhoda appeared in a new light, and the new light became her mightily. Yes; Algy was certainly in love with her, he acknowledged to himself. There was no scene, no declaration. It all came to pass very gradually. In Rhoda the sense of this love stole on as subtly as the dawn. Before she had begun to watch the glowing streaks of rose-colour, it was daylight! And then how warm and golden it grew in her little world! How the birds chirped and fluttered, and the flowers breathed sweet breath, and a thousand diamond drops stood on the humblest blades of grass!
If she had been nine years old, instead of nearly nineteen, she could scarcely have given less heed to the worldly aspects of the situation.
Algernon perhaps more consciously set aside considerations of the future. He was but a boy, however; and he always had a great gift of enjoying the present moment, and sending Janus-headed Care, that looks forward and backward, to the deuce. As yet there was no Lord Seely on his horizon; no London society; no diplomatic career. The latter indeed was but an Ancramism of his mother's, when she spoke of it to Mr. Diamond, and Algy at that time had never entertained the idea of it.
So these two young persons sat side by side, on the bench outside the Welsh cottage, and were as happy as the midsummer days were long.
But long as the midsummer days were, they passed. Then came the time for going back to Whitford. The day before their return home Rhoda received a shock of pain—the first, but not the last, which she ever felt from this love of hers—at these words, said carelessly, but in a low voice, by Algy, as he lounged at her side, watching the sunset:
"Rhoda, darling, you must not say a word to any one about—about you and me, you know."
Not say a word! What had she to say? And to whom? "No, Algy," she answered, in a faint little voice, and began to meditate. The idea had been presented to her for the first time that it was her duty, or Algy's duty, to drag their secret from its home in Fairyland, and subject it to the eyes and tongues of mortals. But being once there, the idea stayed in her mind and would not be banished. Her father—Mrs. Errington—what would they say if they knew that—that she had dared to love Algernon? The future began to look terribly hard to her. The glittering mist which had hidden it was drawn away like a gauze curtain. How could she not have seen it all before? Would any one believe for evermore that she had been such a child, such a fool, so selfishly absorbed in her pleasant day-dreams, as not to calculate the cost of it for one moment until now?
"Oh, Algy!" the poor child broke out, lifting a pale face and startled eyes to his; "if we could only go on for ever as we are! If it would be always summer, and we two could stay in this village, and never go back, or see any of the people again—except father," she added hastily. And a pang of remorse smote her as her conscience told her that the father who loved her so well, and was so good to her, whatever he might be to others, was not at all necessary to the happiness of her existence henceforward.
"Don't let's be miserable now, at all events," returned Algernon cheerfully. "Look at that purple bar of cloud on the gold! I wonder if I could paint that. I wish I had my colour-box here. The pencil sketches are so dreary after all that colour."
Rhoda had no doubt that Algernon could paint "that," or anything else he applied his brush to. After a while she said, with her heart beating violently, and the colour coming and going in her cheeks: "Don't you think it would be wrong, deceitful—to—if we—not to tell——" Poor Rhoda could not frame her sentence, and was obliged to leave it unfinished.