Miss Belinda, sitting behind the tea-service, heard a soft, flowing, silken rustle sweeping down the staircase, and across the hall, and then her niece entered.
"Don't you think I've dressed pretty quick?" she said, and swept across the little parlor, and sat down in her place, with the calmest and most unconscious air in the world.
There was in Slowbridge but one dressmaking establishment. The head of the establishment—Miss Letitia Chickie—designed the costumes of every woman in Slowbridge, from Lady Theobald down. There were legends that she received her patterns from London, and modified them to suit the Slowbridge taste. Possibly this was true; but in that case her labors as modifier must have been severe indeed, since they were so far modified as to be altogether unrecognizable when they left Miss Chickie's establishment, and were borne home in triumph to the houses of her patrons. The taste of Slowbridge was quiet,—upon this Slowbridge prided itself especially,—and, at the same time, tended toward economy. When gores came into fashion, Slowbridge clung firmly, and with some pride, to substantial breadths, which did not cut good silk into useless strips which could not be utilized in after-time; and it was only when, after a visit to London, Lady Theobald walked into St. James's one Sunday with two gores on each side, that Miss Chickie regretfully put scissors into her first breadth. Each matronly member of good society possessed a substantial silk gown of some sober color, which gown, having done duty at two years' tea-parties, descended to the grade of "second-best," and so descended, year by year, until it disappeared into the dim distance of the past. The young ladies had their white muslins and natural flowers; which latter decorations invariably collapsed in the course of the evening, and were worn during the latter half of any festive occasion in a flabby and hopeless condition. Miss Chickie made the muslins, festooning and adorning them after designs emanating from her fertile imagination. If they were a little short in the body, and not very generously proportioned in the matter of train, there was no rival establishment to sneer, and Miss Chickie had it all her own way; and, at least, it could never be said that Slowbridge was vulgar or overdressed.
Judge, then, of Miss Belinda Bassett's condition of mind when her fair relative took her seat before her.
What the material of her niece's dress was, Miss Belinda could not have told. It was a silken and soft fabric of a pale blue color; it clung to the slender, lissome young figure like a glove; a fan-like train of great length almost covered the hearth-rug; there were plaitings and frillings all over it, and yards of delicate satin ribbon cut into loops in the most recklessly extravagant manner.
Miss Belinda saw all this at the first glance, as Mary Anne had seen it, and, like Mary Anne, lost her breath; but, on her second glance, she saw something more. On the pretty, slight hands were three wonderful, sparkling rings, composed of diamonds set in clusters: there were great solitaires in the neat little ears, and the thickly-plaited lace at the throat was fastened by a diamond clasp.
"My dear," said Miss Belinda, clutching helplessly at the teapot, "are you—surely it is a—a little dangerous to wear such—such priceless ornaments on ordinary occasions."
Octavia stared at her for a moment uncomprehendingly.
"Your jewels, I mean, my love," fluttered Miss Belinda. "Surely you don't wear them often. I declare, it quite frightens me to think of having such things in the house."
"Does it?" said Octavia. "That's queer."