And kissed her trembling honest mouth almost as if he had been a man—not quite—but almost.
They began the new life at Palstrey Manor, which was ancient and most beautiful. Nothing Walderhurst owned was as perfect an example of olden time beauty, and as wonderful for that reason. Emily almost wept before the loveliness of it, though it would not have been possible for her to explain or particularise the grounds for her emotion. She knew nothing whatever of the venerable wonders of the architecture. To her the place looked like an immense, low-built, rambling fairy palace—the palace of some sleeping beauty during whose hundred years of slumber rich dark-green creepers had climbed and overgrown its walls and towers, enfolding and festooning them with leaves and tendrils and actual branches. The huge park held an enchanted forest of trees; the long avenue of giant limes, their writhen limbs arching and interlocking, their writhen roots deep in velvet moss, was an approach suited to a fairy story.
During her first month at Palstrey Emily went about still in her dream. It became more a dream every day. The old house was part of it, the endless rooms, the wonderful corridors, the gardens with their revelations of winding walks, labyrinths of evergreens, and grass paths leading into beautiful unexpected places, where one suddenly came upon deep, clear pools where water plants grew and slow carp had dreamed centuries away. The gardens caused Emily to disbelieve in the existence of Mortimer Street, but the house at times caused her to disbelieve in herself. The picture gallery especially had this effect upon her. The men and women, once as alive as her everyday self, now gazing down at her from their picture frames sometimes made her heart beat as if she stood in the presence of things eerie. Their strange, rich, ugly, or beautiful garments, their stolid or fervid, ugly or beautiful, faces, seemed to demand something of her; at least she had just enough imagination to feel somewhat as if they did. Walderhurst was very kind to her, but she was afraid she might bore him by the exceeding ignorance of her questions about people whom he had known from his childhood as his own kith and kin. It was not unlikely that one might have become so familiar with a man in armour or a woman in a farthingale that questions connected with them might seem silly. Persons whose ancestors had always gazed intimately at them from walls might not unnaturally forget that there were other people to whom they might wear only the far-away aspect of numbers in catalogues of the Academy, or exhibitions of that order.
There was a very interesting catalogue of the Palstrey pictures, and Emily found and studied it with deep interest. She cherished a touching secret desire to know what might be discoverable concerning the women who had been Marchionesses of Walderhurst before. None of them but herself, she gathered, had come to their husbands from bed-sitting rooms in obscure streets. There had been noble Hyrsts in the reign of Henry I., and the period since then elapsed had afforded time for numerous bridals. Lady Walderhurst was overcome at moments by her reflections upon what lay behind and before her, but not being a complex person or of fervid imagination, she was spared by nature the fevers of complex emotions.
In fact, after a few weeks had passed she came out of her dream and found her happiness enduring and endurable. Each day's awakening was a delight to her, and would probably be so to the end of her existence, absolutely because she was so sane and uncomplex a creature. To be deftly assisted in her dressing by Jane Cupp, and to know that each morning she might be fittingly and becomingly attired without anxiety as to where her next gown was to come from, was a lovely thing. To enjoy the silent, perfect workings of the great household, to drive herself or be driven, to walk and read, to loiter through walled gardens and hothouses at will,—such things to a healthy woman with an unobscured power of enjoyment were luxuries which could not pall.