Rupert De Willoughby was lying upon the grass in the garden under the shade of a tree. The “office” had been stifling hot, and there had been even less to suggest any hope of possible professional business than the blankness of most days held. There never was any business, but at rare intervals someone dropped in and asked him a question or so, his answers to which, by the exercise of imagination, might be regarded as coming under the head of “advice.” His clients had no money, however—nobody had any money; and his affairs were assuming a rather desperate aspect.
He had come home through the hot streets with his straw hat pushed back, the moist rings of his black hair lying on a forehead lined with a rather dark frown. He went into the garden and threw himself on the grass in the shade. He could be physically at ease there, at least. The old garden had always been a pleasure to him, and on a hot summer day it was full of sweet scents and sounds he was fond of. At this time there were tangles of honeysuckle and bushes heavy with mock-orange; an arbour near him was covered by a multiflora rose, weighted with masses of its small, delicate blossoms; within a few feet of it a bed of mignonette grew, and the sun-warmed breathing of all these fragrant things was a luxurious accompaniment to the booming of the bees, blundering and buzzing in and out of their flowers, and the summer languid notes of the stray birds which lit on the branches and called to each other among the thick leaves.
At twenty-three a man may be very young. Rupert was both young and old. His silent resentment of the shadow which he felt had always rested upon him, had become a morbid thing. It had led him to seclude himself from the gay little Delisleville world and cut himself off from young friendships. After his mother—who had understood his temperament and his resentment—had died, nobody cared very much for him. The youth of Delisleville was picturesque, pleasure-loving, and inconsequent. It had little parties at which it danced; it had little clubs which were vaguely musical or literary; and it had an ingenuous belief in the talents and graces displayed at these gatherings. The feminine members of these societies were sometimes wonderfully lovely. They were very young, and had soft eyes and soft Southern voices, and were the owners of the tiniest arched feet and the slenderest little, supple waists in the world. Until they were married—which usually happened very early—they were always being made love to and knew that this was what God had made them for—that they should dance a great deal, that they should have many flowers and bonbons laid at their small feet, that beautiful youths with sentimental tenor voices should serenade them with guitars on moonlight nights, which last charming thing led them to congratulate themselves on having been born in the South, as such romantic incidents were not a feature of life in New York and Boston. The masculine members were usually lithe and slim, and often of graceful height; they frequently possessed their share of good looks, danced and rode well, and could sing love songs. As it was the portion of their fair companions to be made love to, it was theirs to make love. They often wrote verses, and they also were given to arched insteps and eyes with very perceptible fringes. For some singular reason, it seems that Southern blood tends to express itself in fine eyes and lashes.
But with this simply emotional and happy youth young De Willoughby had not amalgamated. Once he had gone to a dance, and his father the Colonel had appeared upon the scene as a spectator in a state of exaggeratedly graceful intoxication. He was in the condition when he was extremely gallant and paid flowery compliments to each pair of bright eyes he chanced to find himself near.
When he first caught sight of him, Rupert was waltzing with a lovely little creature who was a Vanuxem and was not unlike the Delia Tom De Willoughby had fallen hopelessly in love with. When he saw his father a flash of scarlet shot over the boy’s face, and, passing, left him looking very black and white. His brow drew down into its frown, and he began to dance with less spirit. When the waltz was at an end, he led his partner to her seat and stood a moment silently before her, glancing under his black lashes at the Colonel, who had begun to quote Thomas Moore and was declaiming “The Young May Moon” to a pretty creature with a rather alarmed look in her uplifted eyes. It was the first dance at which she had appeared since she had left school.
Suddenly Rupert turned to his partner. He made her a bow; he was a graceful young fellow.
“Thank you, Miss Vanuxem. Thank you for the dance. Good-night. I am going home.”
“Are you?” exclaimed little Miss Vanuxem. “But it is so early, Mr. De Willoughby.”
“I have stayed just ten minutes too long now,” said Rupert. “Thank you again, Miss Vanuxem. Good-night.”