Thus a friendship arose which, in the course of time, became a very close one. Colonel Esmond’s house was luxurious and pleasant, and everybody’s heart opened to a favorite of Georgie’s. Accordingly, Lisbeth’s niche in the family was soon found. It was rather agreeable to go among people who admired and were ready to love her, so she went pretty often. In fact, Georgie kept firm hold upon her. There appeared always some reason why it was specially necessary that Lisbeth should be with her. She had visitors, or she was alone and wanted company; she had some new music and wanted Lisbeth’s help, or she had found some old songs Lisbeth must try—Lisbeth, whose voice was so exquisite. Indeed, it was Lisbeth, Lisbeth, Lisbeth, from week to week, until more than one of Miss Esmond’s admirers wished that there had been no such person as Miss Crespigny in the world. As Anstruthers had said, Miss Georgie Esmond was quite a belle, in this the first year of her reign, and if she had been so inclined, it was generally believed that she might have achieved some very brilliant social triumphs, indeed. But I am afraid that she had the bad taste not to aspire as she might have done.
“I don’t want to be uncharitable,” she had said, innocently, to her friend. “And I don’t in the least believe the things people often say about society—the things Hector says, for instance; but really, Lisbeth, I have sometimes thought that the life behind all the glare and glitter was just the least bit stupid and hollow. I know I should get dreadfully tired of it, if I had nothing else to satisfy me; no real home-life, and no true, single-hearted, close friends to love, like you and mamma.”
It made Lisbeth wince, this pretty speech. Georgie Esmond often made her wince.
And Mr. Hector Anstruthers discovered this fact before any great length of time had passed, and the discovery awakened in him divers new sensations.
He had looked on at the growing friendship with a secret sneer; but the sneer was not at Georgie. Honestly, he liked the girl something the better for her affectionate credulity; nothing could contaminate her, not even Lisbeth Crespigny. But sometimes, just now and then, he found it a trifle difficult to control himself, and resist the impulse to be openly sarcastic.
He encountered this difficulty in special force one evening about a month after the studio luncheon. The girls had spent the afternoon together, and, dinner being over, Lisbeth was singing one of Georgie’s favorite songs. It was a love song, too, for though Miss Georgie had as yet had no practical experience in the matter of love, she had some very pretty ideas of that tender passion, and was very fond of love songs, and poems, and love stories, such as touched her heart, and caused her to shed a few gentle tears. And this song was a very pretty one, indeed. “All for love, and the world well lost,” was the burden of its guileless refrain. All for love, love which is always true, and always tender, and never deceives us. What is the world, it demanded, what is life, what rest can we find if we have not love? The world is our garden, and love is the queen of roses, its fairest bloom. Let us gather what flowers we may, but, oh, let us gather the rose first, and tend it most delicately. It will give its higher beauty to our lives; it will make us more fit for heaven itself; it will shame our selfishness, and help us to forget our sordid longings. All for love, and the world well lost. And so on, through three or four verses, with a very sweet accompaniment, which Georgie played with great taste.
And Lisbeth was singing, and, as she had a trick of doing, was quite forgetting herself. And her exquisite, full-toned voice rose and fell with a wondrous fervor, and her immense dark eyes glared, and her small pale face glowed, and a little pathetic shadow seemed to rest upon her. So well did she sing, indeed, that one might have fancied that she had done nothing, all her life, but sing just such sweetly sentimental songs, and believe every word of them implicitly; and when she had finished, Georgie’s eyes were full of tears.
“Oh, Lisbeth!” she cried, looking up at her affectionately, “you make everything sound so beautiful and—and true. I could never, never sing in that way. It must be because you can feel beautiful, tender things so deeply, so much more deeply than other people do.”
Lisbeth awoke from her dream suddenly. Hector Anstruthers, who had been standing at the other side of the piano, looked at her with a significance which would have roused her at any time. Their eyes met, and both pair flashed; his with the very intensity of contempt; hers with defiance.
“My dear Georgie,” he said, “I admire your enthusiasm, but scarcely think you quite understand Miss Crespigny. She is one of those fortunate people who cannot help doing things well. It is a habit she has acquired. No sentiment would suffer in her hands, even a sentiment quite opposite to the one she has just illustrated the force of so artistically.”