She was angry, and all her anger was against herself, or at least against the fate which had made her what she was. Lisbeth knew herself better than other people knew her. It was a fate, she told herself. She had been born cold-blooded and immovable, and it was not to be helped. But she never defended herself thus, when others accused her; she would have scorned to do it. It was only against her own secret, restless, inner accusations that she deigned to defend herself. It was characteristic of her that she should brave the opinions of others, and feel rebellious under her own. What Lisbeth Crespigny thought in secret of Lisbeth Crespigny must have its weight.

At last she remembered the dress lying upon the bed—the dress Lecomte had just sent home. She was passionately fond of dress, especially fond of a certain striking, yet artistic style of setting, for her own unusually effective face and figure. She turned now to this new dress, as a refuge from herself.

“I may as well put it on now,” she said. “It is seven o’clock, and it is as well to give one’s self plenty of time.”

So she got up, and began her toilet leisurely. She found it by no means unpleasant to watch herself grow out of chrysalis form. She even found a keen pleasure in standing in the brilliant light before the mirror, working patiently at the soft, cloud-like masses of her hair, until she had wound and twisted it into some novel, graceful fancifulness. And yet even this scarcely arose from a vanity such as the vanity of other women.

She went down to the drawing-room, when she was dressed. She knew she was looking her best, without being told. The pale gray tissue, pale as a gray sea-mist, the golden-hearted, purple pansies with which it was lightly sown, and which were in her hair, and on her bosom, and in her hands, suited her entirely. Her eyes, too, soft, dense, mysterious under their sweeping, straight black lashes—well, Lisbeth Crespigny’s eyes, and no other creature’s.

“A first glance would tell me who had designed that dress,” said Mrs. Despard. “It is not Lecomte; it is your very self, in every touch and tint.”

Lisbeth smiled, and looking down the length of the room, where she stood reflected in a mirror at the end of it, unfurled her fan, a gilded fan, thickly strewn with her purple pansies; but she made no reply.

A glass door, in the drawing-room, opened into a conservatory all aglow with light and bloom, and in this conservatory she was standing half an hour later, when the first arrivals came. The door, a double one, was wide open, and she, in the midst of the banks and tiers of flowers, was bending over a vase of heliotrope, singing a low snatch of song.

“The fairest rose blooms but a day,
The fairest Spring must end with May,
And you and I can only say,
Good-by, good-by, good-by!”

She just sang this much, and stopped. One of the two people who had arrived was speaking to Mrs. Despard. She lifted her head, and listened. She could not see the speaker’s face, because a tall, tropical-leaved lily interposed itself. But the voice startled her uncomfortably.