Then she put a question:
“Who was the little boy?”
“He was a relation of—his lordship’s.”
“His lordship’s?” cautiously.
“The Marquis. Lord Coombe.”
There was a few minutes’ silence. Both women were thinking of a number of things and each was asking herself how much it would be wise to say.
It was Dowson who made her decision first, and this time, as before, she laid down her work. What she had to convey was the thing which, above all others, the Frenchwoman must understand if she was to be able to use her power to its best effect.
“A woman in my place hears enough talk,” was her beginning. “Servants are given to it. The Servants’ Hall is their theatre. It doesn’t matter whether tales are true or not, so that they’re spicy. But it’s been my way to credit just as much as I see and know and to say little about that. If a woman takes a place in a house, let her go or stay as suits her best, but don’t let her stay and either complain or gossip. My business here is Miss Robin, and I’ve found out for myself that there’s just one person that, in a queer, unfeeling way of his own, has a fancy for looking after her. I say ‘unfeeling’ because he never shows any human signs of caring for the child himself. But if there’s a thing that ought to be done for her and a body can contrive to let him know it’s needed, it’ll be done. Downstairs’ talk that I’ve seemed to pay no attention to has let out that it was him that walked quietly upstairs to the Nursery, where he’d never set foot before, and opened the door on Andrews pinching the child. She packed her box and left that night. He inspected the nurseries and, in a few days, an architect was planning these rooms,—for Miss Robin and for no one else, though there was others wanted them. It was him that told me to order her books and playthings—and not let her know it because she hates him. It was him I told she needed a governess. And he found you.”
Mademoiselle Vallé had listened with profound attention. Here she spoke.
“You say continually ‘he’ or ‘him’. He is—?”