The Lost Prince

by Frances Hodgson Burnett

"Not until it is half-past one o'clock. Go to bed and sleep until Lazarus calls you." Then he added, "Look well at his face before you speak. He will probably not be dressed as well as he was when you saw him first."

Marco went up-stairs to his room and went to bed as he was told, but it was hard to go to sleep. The rattle and roaring of the road did not usually keep him awake, because he had lived in the poorer quarter of too many big capital cities not to be accustomed to noise. But to-night it seemed to him that, as he lay and looked out at the lamplight, he heard every bus and cab which went past. He could not help thinking of the people who were in them, and on top of them, and of the people who were hurrying along on the pavement outside the broken iron railings. He was wondering what they would think if they knew that things connected with the battles they read of in the daily papers were going on in one of the shabby houses they scarcely gave a glance to as they went by them. It must be something connected with the war, if a man who was a great diplomat and the companion of kings came in secret to talk alone with a patriot who was a Samavian. Whatever his father was doing was for the good of Samavia, and perhaps the Secret Party knew he was doing it. His heart almost beat aloud under his shirt as he lay on the lumpy mattress thinking it over. He must indeed look well at the stranger before he even moved toward him. He must be sure he was the right man. The game he had amused himself with so long—the game of trying to remember pictures and people and places clearly and in detail—had been a wonderful training. If he could draw, he knew he could have made a sketch of the keen-eyed, clever, aquiline face with the well-cut and delicately close mouth, which looked as if it had been shut upon secrets always—always. If he could draw, he found himself saying again. He COULD draw, though perhaps only roughly. He had often amused himself by making sketches of things he wanted to ask questions about. He had even drawn people's faces in his untrained way, and his father had said that he had a crude gift for catching a likeness. Perhaps he could make a sketch of this face which would show his father that he knew and would recognize it.

He jumped out of bed and went to a table near the window. There was paper and a pencil lying on it. A street lamp exactly opposite threw into the room quite light enough for him to see by. He half knelt by the table and began to draw. He worked for about twenty minutes steadily, and he tore up two or three unsatisfactory sketches. The poor drawing would not matter if he could catch that subtle look which was not slyness but something more dignified and important. It was not difficult to get the marked, aristocratic outline of the features. A common-looking man with less pronounced profile would have been less easy to draw in one sense. He gave his mind wholly to the recalling of every detail which had photographed itself on his memory through its trained habit. Gradually he saw that the likeness was becoming clearer. It was not long before it was clear enough to be a striking one. Any one who knew the man would recognize it. He got up, drawing a long and joyful breath.

He did not put on his shoes, but crossed his room as noiselessly as possible, and as noiselessly opened the door. He made no ghost of a sound when he went down the stairs. The woman who kept the lodging-house had gone to bed, and so had the other lodgers and the maid of all work. All the lights were out except the one he saw a glimmer of under the door of his father's room. When he had been a mere baby, he had been taught to make a special sign on the door when he wished to speak to Loristan. He stood still outside the back sitting-room and made it now. It was a low scratching sound—two scratches and a soft tap. Lazarus opened the door and looked troubled.

"It is not yet time, sir," he said very low.

"I know," Marco answered. "But I must show something to my father." Lazarus let him in, and Loristan turned round from his writing-table questioningly.

Marco went forward and laid the sketch down before him.

"Look at it," he said. "I remember him well enough to draw that. I thought of it all at once—that I could make a sort of picture. Do you think it is like him?" Loristan examined it closely.

"It is very like him," he answered. "You have made me feel entirely safe. Thanks, Comrade. It was a good idea."

There was relief in the grip he gave the boy's hand, and Marco turned away with an exultant feeling. Just as he reached the door, Loristan said to him: