She felt a little hot wave run over her cheek uncomfortably, and the next instant the big arm tightened its clasp of her—for just one second—not more than one. She did not know that he, himself, had seen the sudden ripple of red colour, and that the equally sudden contraction of the arm had been as unexpected to him and as involuntary as the quick wave itself. It had horrified and made him angry. He looked the next instant entirely stiff and cold.
“He did not know it happened,” Betty resolved.
“The music is going to stop,” said Mount Dunstan. “I know the waltz. We can get once round the room again before the final chord. It was to be the last note—the very last,” but he said it quite rigidly, and Betty laughed.
“Quite the last,” she answered.
The music hastened a little, and their gliding whirl became more rapid—a little faster—a little faster still—a running sweep of notes, a big, terminating harmony, and the thing was over.
“Thank you,” said Mount Dunstan. “One will have it to remember.” And his tone was slightly sardonic.
“Yes,” Betty acquiesced politely.
“Oh, not you. Only I. I have never waltzed before.”
Betty turned to look at him curiously.
“Under circumstances such as these,” he explained. “I learned to dance at a particularly hideous boys' school in France. I abhorred it. And the trend of my life has made it quite easy for me to keep my twelve-year-old vow that I would never dance after I left the place, unless I WANTED to do it, and that, especially, nothing should make me waltz until certain agreeable conditions were fulfilled. Waltzing I approved of—out of hideous schools. I was a pig-headed, objectionable child. I detested myself even, then.”