Theo looked up at him for a second, and then looked down. Much as she admired Mr. Denis Oglethorpe, she never quite comprehended him. He had such an eccentric fashion of being almost curt sometimes. She had seen him actually give a faint start when he entered, and she had not understood that, and now he had paid her a compliment, but with so much of something puzzling hidden in his quiet-sounding voice, that she did not understand that either—and he saw she did not.
"I have been making a fine speech to Theodora," he said to Lady Throckmorton, when she came in. "And she does not comprehend it in the least."
It was somewhat singular, Theo thought, that he should be so silent after this, for he was silent. He even seemed absent-minded, for some reason or other. He did not talk to her as much as usual, and she was quite sure he paid very little attention to Faust.
But during the final act she found that he was not looking at the stage at all; but was sitting in the shadow of the box-curtain watching herself. She had been deeply interested in Marguerite a minute before, and, in her heart-touched pleasure, had leant upon the edge of the box, her whole face thrilled with excitement. But the steady gaze magnetized her, and drew her eyes round to the shadowy corner where Denis sat; and she positively turned with just such a start as he himself had given when Theodora North, in rose-colored satin, burst upon him, in such vivid, glowing contrast to Priscilla Gower, in dun merino.
"Oh!" she said, and though the little exclamation was scarcely more than an indrawn breath, Denis heard it, and came out of his corner to take a seat at her side, and lean over the box-edge also.
"What is it, Theodora?" he asked, in a low, clear voice. "Is it Marguerite?"
She looked at him in a little fright at herself. She did not know why she had exclaimed—she scarcely knew how; but when she met his unembarrassed eyes, she began to think that possibly it might be Marguerite. Indeed, a second later, she was quite sure it had been Marguerite.
"Yes—I think so," she faltered. "Poor Marguerite! If she could only have saved him?"
"How?" he asked.
"I don't—at least I scarcely know; but I think the author ought to have made her save him, someway. If—if she could have suffered something, or sacrificed something—"