“Put it on, Mollie,” she said, “and let us see how you would look in it. I should like to see you in full dress.”
The child rose with some faint stir of interest in her manner and went to the bed.
“It wouldn't be long enough for me if it wasn't for the train,” she said; “but the train will make it long enough nearly, and I can pull it together at the waist.”
She put it on at the bedside, and then came forward to the toilet-table; and Dolly, catching sight of her in the glass as she advanced, turned round with a start.
Standing in the light; the soft heavy white folds draping themselves about her statuesque curves of form as they might have draped themselves about the limbs of some young marble Grace or Goddess, with her white arms and shoulders uncovered, with her unchildish yet youthful face, with her large-irised eyes, her flush of momentary pleasure and half awkwardness, she was just a little dazzling, and Dolly did not hesitate to tell her so.
“You are a beauty, Mollie,” she said. “And you are a woman in that dress. If you were only a Bilberry now, what a capital your face would be to you, and what a belle you would be!”
Which remarks, if indiscreet, were affectionate, and made in perfect good faith.
But when, having donned the merino herself, she made her way down the dark staircase to the parlor, there was a vague ghost of uneasiness in her mind, and it was the sight of Mollie in full dress which had aroused it.
“She is so very pretty,” she said to herself. “I scarcely knew how very pretty she was until I turned round from the glass to look at her. What a pity it is that we are not rich enough to do her justice, and let her enjoy herself as other girls do. And—and,” with a little sigh, “I am afraid we are a dreadfully careless lot. I wonder if Phil ever thinks about it? And she is so innocent and ignorant too. I hope she won't fall in love with anybody disreputable. I wish I knew how to take care of her.”
And yet when she went into the parlor to run the gauntlet of family inspection, and walked across the floor to show the sweep of her train, and tried her little opera hood on Tod before putting it on herself, a casual observer would certainly have decided that she had never had a serious thought in her life. Griffith was there, of course. At such times his presence was considered absolutely necessary, and his admiration was always unbounded. His portion it was to tuck her under his arm and lead her out to the cab when the train and wraps were arranged and the hood put on. This evening, when he had made her comfortable and shut the door, she leaned out of the window at the last moment to speak to him.