Chapter Twelve.
With the Prentices in the Meadows.
Time passed on, weeks, months, years: slowly, though happily, for the children; ever faster and faster for the elders. Joan was still the only child, the darling of the house, but with a sweet, frank nature which was proof against spoiling. Roger had long finished his seven years’ apprenticeship, and now worked by the day as journeyman; even Wat was close on the end of his term, but nobody seemed to think he could ever be anything except Prentice Wat, whom everybody laughed at and everybody liked, even better than they knew. Nevertheless, by dint of hard belabouring of brains, and a most impatient patience, for he was ever rating him for his dulness, and yet never giving up the teaching, Hugh had managed to hammer more out of Wat than had been supposed possible in the beginning of things. It was very hard to get him to take in an idea, but once in his head, he sometimes showed an aptitude for working it out which surprised the others, and caused Hugh delightful moments of triumph.
As for Hugh himself, his progress was astonishing. If he still lacked something of the technical skill of Franklyn, there was no one, except Gervase himself, who could come near his power of design. The boy had an intense love of nature, nothing was lost upon him. When he was in the fields or woods, he would note the exquisite curve of branches, the uncurling of ferns, the spring of grass or rushes, and was for ever trying to reproduce them. By this means his eye and hand were trained in the very best school, and his designs had an extraordinary beauty and freedom of line, devoid of all stiffness and conventionality. He could never be induced to delight in the grinning masks and monsters which were the joy of Wat’s soul, but when any delicate and dainty work was called for, it was always Hugh who was set to do it.
His pride and delight in the Cathedral was scarcely less than the bishop’s. Bishop Bitton was steadily carrying out his work in the choir, so as to complete the design of his predecessors. The choir was now entirely rebuilt, and united to the Lady Chapel, left standing at the end. The beautiful vaulting of the roof was in course of construction, and pushed on with all the speed that good work would allow. For one characteristic of the work of those days was that it was of the best. There was no competition, which we are accustomed to look upon as an actual necessity, but in place of this the guilds, which controlled labour and held it in their own hands, exercised a very strict oversight upon materials and execution, so that nothing which was bad or indifferent was allowed to pass; there was no possibility of underselling, nor of the workman being underpaid.
The bishop had by no means forgotten his idea about the corbels. As the beautiful clustered shafts of the columns—of soft grey unpolished Purbeck marble—were raised to support the arches, above each one was built in the long shapeless block, waiting to be some day carved into shape. Gervase, also, was fired into enthusiasm when he spoke of them, and if Gervase, then yet more Hugh. Much of his handiwork was already to be found in the Cathedral, but this was of more importance, and there was even talk of the guild admitting into their number a skilled workman from France, famous for his skill in stone carving.
One day, in the June of 1302, master and apprentice were standing in the choir, Hugh having just come down from work on the triforium.
“I find my eye ever running over those blocks,” said Elyas with a smile, “and picturing them as they might look, finished. To-day, at any rate, I have brought one question to an end.”
“What, goodman?”
“I shall be offered my choice of which to work upon myself.”