“I think of my father, too. I wanted to credit his name.”

“Nay,” said Joan softly, “if he could speak he would say there were nobler things than fame.”

Was not that really what he had said, and was it not strange that she should repeat it? But then Joan ever had strange thoughts for her age, and Hugh’s better nature came to his aid.

“In good sooth, thou art right, Joan,” he said after a pause. “Whatever it cost me, I will remember that I might not be working in the Cathedral at all were it not for the master. I will put aside thought of my own fancies, and carry his out with my might.”

There was something solemn about this promise, and both felt it so, Joan looking up admiringly into Hugh’s face, and more certain than ever that—her father always excepted—there was no one like him in the world.

Gervase gave better signs of mending after the bishop’s visit, and his speech began slowly to clear itself, but they soon found that he was anxious for Hugh to begin work, and that the latter might now leave him to the care of Prothasy and Joan. He made Hugh bring his design to his side, and evidently wished him to go through it there and to show that he fully understood it. It was a conventional design, mixed with foliage, long, slender, and sharply cut, not unlike the lower leaves of the shepherd’s purse greatly magnified, and depending for its beauty upon certain strongly marked curves. It had never seemed to Hugh quite equal to the master’s other designs.

There was much wonder and some jealousy of Hugh when Gervase’s choice became known; but also general satisfaction, there being much competition in the matter, and no one being willing to give up his own chance of distinguishing himself by producing and carrying out a design which should surpass all the others. No one, that is to say, but Wat. He had the lowest opinion of his own powers, and thought it sheer folly to have been chosen for such a task, and he would very gladly have made over his pillar to Hugh, and faithfully carried out the master’s drawings. As, however, this was impossible, he set himself to perpetuate Spot, and at the same time to keep a watchful eye upon Roger.

Roger was the best pleased of all, for, since Hugh could no longer use his own design, it was pretty sure that no one would interfere with him. He was a first-rate workman, only wanting in imagination and invention; he had no fear but that now he had provided himself with the design, his corbel would hold its own with, perhaps surpass, all others. He even managed to smooth certain ruffles in his conscience by assuring it that since Hugh could not have undertaken any independent labour, no harm was done to him; ivy had always been in his mind, and he had but assisted his fancy by a means which had fallen in his way.

Nevertheless, it was remarkable that he took the utmost pains to prevent Wat from getting a sight of his work. The carvings were always covered when left for the night, and there was a sort of tacit understanding that no one need openly display his work, although often one called another to give advice upon some doubtful point. But Roger used unusual precautions to arrange his materials and himself as he worked, so as completely to hide the carving from view. Wat pondered long upon this, and at last, coming home with Hugh one evening, he asked—

“The design which Roger filched, is it yet in thy head?”